Robert Musil (1880-1942) is best known for Der Mann ohne Eigenschaften (‘The Man Without Qualities’), an unending, unfinished novel, of which the first volume appeared in 1930. I tried to read it once but found it too essayistic – Musil’s diaries concede that – and boring and thus gave up. The first funny thing I came across in the diaries was the farcical account of the seduction of a seventeen-year-old pal of his. I named the story The Cougar of Brno. Musil’s early years were strange, to put it mildly. The sleeping rule (hands outside the covers), the presence of ‘Uncle’ Heinrich in the house and Musil’s deal with Herma Dietz are just three of the oddities.
Musil was small but combative and from early on he exhibited the small-man syndrome. Herma was a servant girl who looked after Musil’s grandmother but was let go after the old woman died. Musil, then a student in Berlin, offered her a place to live on condition she became his ‘mistress’. His flat description of her reaction (“She doesn’t say yes nor no nor thank you”) seems repulsive to modern eyes. He later gave her syphilis, she had a miscarriage and she died in 1907. Soon afterwards he married a widow (Martha) seven years his senior and they stayed together until his death from a stroke in Switzerland in 1942.
Reading Musil’s account of his ill friend Alice’s crazy adventure (1910) that ended with her being locked up in Venice, I made a note at the end. This is mental, in more ways than one. It appears in a context where he expresses an interest in sodomy and incest. Raised an only child, he was long obsessed with a sister who had died before he was born. Musil was a bit of a perv (prurient) and only occasional passages are worth reading until the seventh notebook (1913). The translator says Musil was “at the height of his receptive powers” then but he probably means most observant, with less navel-gazing.
Musil is quite morbid too. A brief passage about dying consumptives in Rome exemplifies how morbid, while his description of a tour of a mental asylum there reads like a thriller. In that light, Musil’s wartime notebooks are also well worth reading. He was an officer on the Italian front before his transfer to a desk job in propaganda. There are touches of everything from The Good Soldier Švejk to Apocalypse Now. In the Thirties he’s again very interesting, this time on the Nazi takeover, which happened while he lived in Berlin. Usually, otherwise, these are not really diaries at all, more often just notebook ráiméis, to use the Irish language word for rambling nonsense. There’s not a huge amount of comedy and not much observation outside of key historical and personal moments.