PS … from the Sunday Independent 23 April 1995
PS … from the Sunday Independent 23 April 1995
Photo courtesy of http://www.findgroundmates.com
… more hunger games
27 May, 2019
Had a night to kill in Vienna on the way home from Hungary. It rained in the late afternoon but out later it was dry and pleasant. The sight of the Burgtheater recalled Thomas Bernhard’s at times grotesquely funny 1984 novel Holzfällen, which for a time turns into a rather good play, once the Actor appears, to ramble on and on about Ekdal in The Wild Duck, even while slogging through his dinner party soup. Suicide is a theme – the funeral earlier in the day has been for a woman who hangs herself, in some detail – but by then its treatment has turned blackly comic, as in when the host asks the Actor if working at Vienna’s Burgtheater wouldn’t give someone every reason to do that. Before the end, as if to stress the point, the host also waves his false teeth in the Actor’s face.
Behind the theatre can be found Harry Lime’s doorway in The Third Man (1949), where Orson Welles first appears by the smooth, sloping cobbles of Schreyvogelgasse. The first time I stood in, there was still daylight but lights shone from scattered windows. They reflected in others. Evening traffic hummed and rumbled on the nearby Ringstrasse, beyond which the university rose in the dusk.
After the Freyung square, on Herrengasse a drunk American woman (“I’m a human rights defender” blah blah) wanted “twenty or thirty euros for a hotel” (i.e. for more drink). You must be f*cking joking, I thought, before I walked on (“Eh, no”). Looking back I saw her simply waiting for the next man to pass. Thought then of the night in Vienna I met Gabi, a sweet Romanian girl from somewhere near Bucharest who did not ask for money.
Further down Herrengasse, the Café Central was in darkness for the night. One evening in that café, a young French girl came back to my table, blushing, looking for her annotated city map. I offered her mine but hers had “mes notes”, while another French girl, alone at the next table, read Freud. Trois essais sur la théorie sexuelle. I’d already read somewhere that France had six hundred thousand psychology students.
It was on a New Year’s Eve when I set off to find Berggasse and Freud’s apartment, even though I presumed it would be closed. It wasn’t. It was packed. A mixed French group pushed the street door ahead of me. Upstairs a stubbly Frenchman with a woolly cap didn’t bother going in. His wife turned to him. Tu restes au café en face? He chuckled and nodded. Il y a un sex shop en face.
The people jumping the ‘queue’ to swarm around the entrance desk had been more of an illustration of Alinsky’s key psychological principle – that people only push to get on a bus they think has limited seating – than anything Freudian. Schlange means both queue and snake in German but there, one couldn’t dream of either.
At the hotel that same night I ended up talking to the man from Kiev behind the desk, comparing the death tolls of the Irish and Ukrainian famines. He must have asked me something about Ireland for us to jump on to that topic but in fairness he was curious about Irish dancing as well. He imitated the arms held down by the dancers’ sides, a style I explained was ordained by the puritanical priesthood. Das war ein Befehl von den Priestern. Sonst, zu sexy.
He didn’t want to pin Holodomor on Stalin, just “die Moskau Regierung” (the Moscow government), and I wasn’t going to argue with him about the 1930s. Not on New Year’s Eve. My impression was that he missed the USSR. He was proud of Nikita Khruschev and Ukrainian generals and a nearby monument to the soldiers of the First Ukrainian Front. I’d have guessed he didn’t care much for Jews either, though all he did was express sympathy for the Palestinians. Woher kamen diese Juden? (‘Where did those Jews come from?’)
Though he’d claimed Rokossovsky was Ukrainian, that invited a later check. The Marshal was of Polish origin and spent almost three years as a prisoner of the state from 1937 until his release without explanation in 1940, during which time he somehow never signed any false statement. He later told his daughter that he always carried a revolver so they would not take him alive if they ever came for him again.
From Herrengasse one can get to Graben via Am Hof or via Hofburg and Kohlmarkt.
Take this example from 24 September 1899, which only appears in the German. Rosa Kornbluh was a friend who had a weird experience with Gustav Klimt on an Italian train, where he terrified her in a tunnel. That much is in Beaumont but on this day Alma details Rosa stalking her Italian fiancé. He had come to Vienna but hadn’t let her know. She ran into him on Graben and followed him into the cathedral, where she fainted. When she came around, he told her he’d thought she was in Budapest. Alma then describes two occasions watching the pair at the opera. The second time she sees them sitting together in a porch during an intermission. ‘He: sulky and silent. She: like a sleepwalker, excited, with glazed eyes. She must be crazy… He has my sympathy now… He cannot save himself from her, from her love, from her jealousy.’ Er kann sich ja nicht retten vor ihr, vor ihrer Liebe, vor ihrer Eifersucht.
Turning back south towards the Ring, I emerged at the back of the Opera House. In doing so I passed the junction of Führichgasse and Tegetthofstrasse. On 15 November 1961 Austrian television broadcast the hour-long dramatic monologue Der Herr Karl. It was set in the basement store room of a Viennese delicatessen. Therein a middle-aged character called Karl talked to an unseen younger colleague while intermittently replying to the voice of his female boss upstairs and helping himself to samples of the stock. The public response to the play about a Nazi Mitläufer (fellow traveller) was uproar but the hour had made the performer – Helmut Qualtinger – immortal.
Der Herr Karl was no invention from scratch. Another actor, Nikolaus Haenel, had worked in such a deli and with such a character just after the war. The establishment stood on the corner of Führichgasse and Tegetthofstrasse and the chap was called Max, though Haenel forgot his surname. Nevertheless he later drew a picture of a bespectacled and rather thin-faced figure, aged about fifty, with a moustache a little wider than Hitler’s. While going through the motions at work, stocking shelves and mopping the floor, this Man of the Crowd had told Haenel his life story.
Years later, Haenel became aware that Qualtinger was in search of a character with a Nazi past so he approached him with the idea of Max. Though Qualtinger was still in his early thirties and much heavier than the original, he was intrigued and the pair met in a restaurant over three or four days, wherein Haenel told him all he remembered and Qualtinger took copious notes, which he later turned into a script with his writing partner, Carl Merz.
One of my favourite images from the city’s history is of Qualtinger and Falco having a laugh at a bar counter. The Viennese humour known as Wiener Schmäh has been linked by Georg Markus to Vienna’s ethnic mix. He defines it as including melancholy, sarcasm and a little malice. It’s more than ten years now since my first night in Vienna, when I got talking to two Austrian chaps in a bar. They asked if I spoke any German. It was rusty then. I know the words to Rock Me Amadeus. They said Falco was a hero, in death. He’d undergone a posthumous resurgence in popularity at home, as the things he’d said had come to make more sense. The autumn day I found Falco’s grave in the sunshine and falling leaves of the huge Zentralfriedhof, the main cemetery, it was peppered by the smell of sewage wafting up from the shores on the lanes.
Despite Claudio Magris’ Danube being largely pretentious verbiage, he couldn’t ruin everything with his waffle. Some of the material is just too strong. The funniest part of his book is set in the early hours in the Zentralfriedhof, in the company of one Herr Baumgartner and his shotgun. The weapon is used, for example, on the hares that have a “passion” for tearing up and eating the pansies left by mourners. It is not quite a free-fire zone, though, as Herr Baumgartner has to answer for any graves or offerings damaged or shattered or bloodied or peppered by stray buckshot in the dark.
Wien ist anders. Vienna is different.
The flat was like a menagerie. Quirke looked up from Viz and saw the furniture couldn’t seat everyone present. He was squashed in at the kitchen end of the couch, up against a conversation driven by Terry, a harmless goblin leaning forward from an armchair between the couch and the kitchen doorway. Terry had come on a scooter. It was one of his periodic visits to W10 to collect his post. His scuffed white helmet lay at his feet. Up against Quirke sat Dec, blond in a brown tweed jacket. At Dec’s feet lay a matching brown timber box that contained his bagpipes.
Dec and Terry were talking about taxis. In fact, Terry was raving about them and he’d been doing this for an hour since Dec had mentioned the subject. Terry’s brother drove a black cab and it seemed Terry’s ambition in life was to drive one too. The rigorous requirements for a black cab licence might have meant an interesting ten minutes but the monologue on The Knowledge was unbroken and unending, apart a brief blip when Quirke sniggered at something in Roger Mellie. Dec thought he was laughing at Terry, while Terry was unsure but he wasn’t going to be put off that easily.
Behind the armchair in which Terry sat, the steamy doorway and the hissing and bubbling indicated Simon was still monitoring the dinner in a tiny kitchen with red floor tiles. Simon had been the only one in the flat when Quirke got there after dark that evening, the first of February. On hearing the buzzer pressed, out on the street, he answered through the intercom. Then he opened the front door by a switch on the wall and appeared in the doorway of the ground floor flat. Quirke transferred his holdall to his left shoulder with a final effort.
The bare concrete floor of the common hall was scattered with junk mail and a phone book or two. I’m sorry about the mess. Most of it belongs to upstairs. Simon then led him through a carpeted tunnel, past a couple of bedroom doors, a bathroom door and a broom closet. Down a step, the living room had a battered couch flanked by a pair of armchairs. They were arranged in a rough line by the inner wall, on the left. A velvety brown, extendable armchair, shaped a bit like a dentist’s chair, sat by a window on the right. Outside the window, in the dark, lay a small, enclosed patch of concrete. That’s the patio.
Simon paused his dinner preparations in order to make the new arrival a mug of coffee. Quirke dropped the bag and sat down. He expected to feel a bit bewildered for a few days. The television and VCR sat at torso height between the window and the first doorway. A dusty stereo sat underneath it, on the lower shelf of the stand. Simon asked him what his plans were. At twenty-four, Quirke intended never having no money again. He also intended taking no more shit. Those were his twin resolutions.
“I’ll see if I can get an office job and avoid the sites,” he ventured.
“The sites are a trap,” was all Simon observed.
One by one, the other people came. In the crowded room, farther up the couch, sat Chris, barefoot in a tracksuit, reading the Independent. An ex-policeman, he was working as a crane driver in Watford. Just before he’d left for London, he’d turned to Quirke in a bar, on his last day at home, a hot day in June. The calendar suggested it was only months before.
“Will you travel with me?”
He was by no means the first to ask. Maybe people were trying to tell him something.
“I’ll be on the boat tonight. Will you come?”
“I have money, if you need it, if that’s all that’s stopping you.”
“Ah no, I don’t want to.”
“Are you sure?”
“You’re sure? What’s keeping you here?”
“Sorry, Chris, I just don’t want to go over there.”
He wasn’t ready then but it was only a matter of time before a change of speed and a change of scene. Instead, the next day he’d merely headed home, down the country, on a packed bus with the hot sun shining in the windows. Wrecked and flat broke, as usual. Nothing changed. Sweating, unshaven, he thought he must have looked like a junkie, if anyone noticed.
A young woman with green eyes and dark red hair sat on the remaining armchair, in a long cream skirt and a soft green turtle neck. She was talking to an eleven-year-old girl who stood in front of her. The child was one of the offspring of Irish parents who lived in the flat upstairs. It seemed this kid often came down, away from a family of headcases, to talk to this girl, whom she looked up to and who listened to her and gave her some of her time.
The child had approached Quirke earlier, when the room was not quite so crowded, to say she’d heard about him coming and that he was the one who would be staying for a week, to find his feet. She said Kim had told her that. The timescale was the first economy with the truth. In his letter he’d said he wanted to stay there for a week, alright, but Quirke had only ninety quid in his pocket so he wouldn’t be going anywhere in a hurry.
A voluptuous thoroughbred, Kim hadn’t yet acknowledged Quirke except for a bare hello and a fleeting smile when she got home from the office. There were only two bedrooms in the flat. She and Simon had one and Chris had the other. Quirke’s eyes fell upon the chair like a dentist’s by the window. So this was truly his best option when it came to London addresses? Then Simon produced the first big English dinner of meat pie, cauliflower and potatoes. He knew how to work the wonky grill.
As Quirke reclined in his sleeping bag on the dental chair in the early hours, the only light came in a glare from a streetlight through the window of the living room. All it really needed was the faint sound of jazz but nearby Dec was lying on the floor, reciting one of his poems. He was proud of the line “Vivaldi plays on hired contraption” and that stuck in Quirke’s head by virtue of the contrast with the records playing upstairs.
The room was hot because the tenants were in the habit of leaving the radiators on all night. This only added to the claustrophobia. Dec had a stately squat in Greenwich in which he left an electric heater on twenty-four hours a day but it was a bit lonely so that was how they both happened to be crashing in the living room. The glare and the heat helped keep them awake. The window was open almost a foot. Quirke wasn’t too keen on sleep either because bad old dreams were coming back. Dec kept talking and Quirke was trying to keep his head together between anxiety and a peculiar sense of exhilaration. He had never been to London before. He had no money, no work and just a chair to sleep on.
Help was sure to come in the form of Richard, whom he was due to meet at the weekend. The girl whose existence had crept up on him like a tropical disease was in bed with another man at the same address but he had this good-humoured headcase right beside him, reciting verses. Vivaldi plays on hired contraption. Instead of Vivaldi, the music they had to listen to consisted of Doris Day records. The child’s parents were having a party upstairs and shouting voices could be heard erupting intermittently, over Doris. If it meant he really had to listen, then Quirke waited for Move Over Darling.
He slept on and off and had the dreams. You don’t want me, says she. I don’t want you, she means. He slept alone on the chair in the flat during the day too and had the same helpless hallucination.
Friday night they all went out, to Club Dog in the George Robey in Finsbury Park. A black and white film of the Eastern Front ran backwards silently on a screen in a corner. Two chaps were meanwhile moving around through the crowd with woks upturned on their heads, each drumming on the other’s wok helmet, each with a pair of chopsticks, incessantly chopping, chopping. Feeling the surge of a silent rage, Quirke glanced at her and thought she only made him despise himself, resurrecting his weakness, his impotence. Yet he intended to make it there, if he could keep at least a part of his head together.
With Richard, Quirke was stuck in Bethnal Green Tube station on Sunday morning. Some old geezer was leaning out of another carriage, roaring permutations of the same pair of points. The first was a general sort of query.
“What the fark is wrung eah?”
How was anybody on the train expected to know? Quirke and all the rest could nonetheless agree with his other repeated remark.
“Get this farking tube moving!!”
It was hot; the tube was packed, for some reason; people were standing, holding the bars; but at least the doors were open. Finally, when he was standing on the platform, the geezer roared at the train again.
“Fark this, I’m farking off!!”
It was only then that a younger, deeper voice rolled out from another carriage.
“Do us oll a fayvah!”
Richard’s energy was at least in part the result of a worse trauma than Quirke’s, though similar in nature to it. This white-haired Irish boy had been blindsided by a sudden, deathly revelation of unhappiness and hadn’t even had the time for anxiety, as he’d moved his stuff out in a daze the next day. The rest of it was natural roguery. The night before, he’d brought Quirke to meet his friend Kevin in the St. James Tavern on Shaftesbury Avenue.
The bar was a ring in the middle of a timber floor. A tall young man with long hair and a long coat walked up to the newcomer.
“I hear you like poetry.”
That had evidently been Richard’s effort at establishing some sort of context. Quirke shook his hand.
“Eh, yeah, I do.”
Just to be polite. Quirke liked some poetry but usually the chopped-up prose, like most “Poems on the Underground”, would make him curse under his breath. There was more poetry to be found in the Socialist Worker. Nonetheless it was safe to say that he and Kevin hit it off immediately and on Sunday night the three of them went to Covent Garden, to the Punch and Judy, where Quirke looked around him. This city wasn’t like being in any particular country, with the mix of cultures and the lingering looks from the Nubian queens and the lip-licking blondes. Quirke thought he could blossom there, maybe. It would be like life in the afterlife.
Soon, though, he was afraid. Afraid of no exit. Afraid of being heard calling out a name in his sleep. In the daytime he slept for an hour on the dental chair in an empty flat and the siege lifted. Next he helped Dec bring his gear to Heathrow. With Dec was a curvy and quite attractive Irish girl called Liz. Quirke wasn’t sure what her presence meant. Dec had come back to the flat to borrow luggage. When he left the living room to struggle to zip up cases in a bedroom, she sat up and put her hands on her knees and told Quirke she was really into guys who wore glasses.
Quirke pushed his own up on his nose. This was a bit intense – he’d only just got there – but he made no intelligible comment. Then the three of them went to the airport. Dec got on a plane home to Ireland and the other two went to an airport bar. Quirke asked for her phone number after she bought him lunch and a few pints. Liz gave Quirke a work number. She wrote it down for him. She said she presumed he wouldn’t lose it.
A beautiful but overweight young blonde across the bar looked to be under pressure. She wasn’t listening to the conversation at her table. Dressed in black, her body was on the no-brain side of the erotic-aesthetic continuum. In other words, the gorgeous, sophisticated head and the flabby, asset-rich figure were incongruous. The others there looked like stubbly musicians or media types but they might just as well have been film caterers.
Back in the flat, the heavily scented bathroom had a noisy ventilator. Windowless, the enclosed space intensified the claustrophobia. The most vital things to have in London seemed to be a Tube pass and a phone card. There was a faint smell of burning rubber down the Tube and sometimes he liked it, at least when it and the distant echoes smacked of anticipation and a chance for observation, but it was more important to have money for the caff. Always conscious of trying to get used to everything, Quirke didn’t even know what he was doing with the girl’s number. Simon mentioned that she already had a boyfriend but then he just shrugged and raised his eyebrows.
Richard brought him to the Brahms and Liszt wine bar cavern in Covent Garden. He couldn’t see anything in the crowd under the brick arches but he just stood there patiently, sipping red plonk, listening to the band and watching his friend and Kevin get in among the girls on the dance floor. Richard had promised to go to a party later.
In a crowded Battersea kitchen, Richard introduced him to Rachel, who sat on a high stool by the worktop. The look was vaguely Molly Ringwald, vaguely Mimi Rogers and she was immediately friendly. He was soon talking easily with her, at least until she discreetly beckoned to his friend to come back, whereupon Quirke didn’t want to be a gooseberry and slipped out of the kitchen.
The stereo was playing low. He put on Funny How Love Is and decided he felt as forsaken as a leading man in the Bible, namely Job. Playing the song over and over, he was the only one up and he had a nervous hangover, sitting in an armchair and looking up at the grey window and a Battersea morning. He was sad but again somehow felt inspired by revelation that there was no more mystery or hope. Back in W10, the divinity was sleeping in another room.
Some site beckoned to Quirke inevitably when no office job worth even ten grand looked on the cards. Up in the Portobello Road market to look for work boots, he couldn’t find any. The market stank of rotting fruit and vegetables in the evenings as old people and pigeons searched through the rubbish, when men and birds mingled as equals. He was in the grip of a cold by then. His cheap shoes burned the soles of his feet. He was running out of excuses. He couldn’t control his moods. He asked himself was it even a neurosis. Playing The Cure’s The Head on the Door on the old stereo, he, too, felt, like the last track, that he was sinking.
Through a feverish night he couldn’t think straight. He didn’t know what to think. He went down to Hammersmith and bought insoles. For a whole day at least, he felt he was having a nervous breakdown but the next he finished a story he called The Retrial, along the theme of the sleeping beauty.
Richard then got him a job with a rough Irish crew on a site near Mile End, to start Monday. That much was settled then. He’d been warned often enough at home to stay away from the Irish, that they were the worst, but he had to start somewhere. He found a pair of old boots in the broom closet, not knowing they would practically cut the feet off him.
His sinuses felt chronic. He just couldn’t shake his illness. Varieties of the common cold seemed to have grown more virulent. Then he let himself be trapped on the patio during a party in the flat. She admitted her unease, when he asked. She said she hadn’t meant to hurt him. He just told her to be herself. He told her to do what she wanted. The night air looked clear. He was out, so to speak. But at least she’d talked to him more like the way she used to. He then got drunk and started mumbling about politics, this time to a thoughtful, teetotal Glasgow Rangers fan who was the last person who’d have wanted to hear his thoughts on Irish freedom.
The worst thing about the first day of work was the old theme of people being strange. Quirke just wanted to be left alone to vegetate, down in the basement, pulling nails out of boards with a nail bar, which wasn’t exactly doing the business. The thought of each thirty-five quid was the main thing to get him through each day. Obviously, but it was a nice figure.
The competing IRA and SAS graffiti had to fight for space with inscriptions outlining the regional rivalries of Britain. Quirke was making a list in his head of ethnic occupations he’d already noticed in London: Irish (building sites, pubs); Asians (small shops); Italians (cafés); blacks (low-paid public service jobs).
He studied the magnificence of cranes. Tower cranes. He watched fist-thumped tables in the climax of card games in canteen huts. They broke a table two days into the week. It just couldn’t take any more punishment. As the week wore on, at break times Quirke sat resting his cut feet in a hut mostly populated by the English. He found them more interesting – less depressing – to listen to than the Irish. They didn’t ask each other if they’d ever played GAA in Drumcolloher, for instance.
Not long after midnight, on the dental chair, he was having a coughing fit when he was sure he could hear the rhythmic sound of a bed creaking in another room. Each breast must have felt the rhythm of the bed creaks, resurrecting his weakness until they’d had all they could take. Little miss loves it. Let me eat cake. It was friction for a wound to weep. He was too wound up to sleep. Then the coughing ceased. Influenced by the bad thoughts of fatigue and work in the morning, he became possessed by an idea of mindless cruelty, of a child who disregarded the consequences of her actions as of nature. Well, when he thought the creaking had stopped, he coughed a few more times before finally falling asleep.
Just when the morning fry-up had begun to be the highlight of his working day, though, Quirke got the boot. Nine in all were let go at the end of the week but at least he got almost one hundred and ninety quid for his trouble. It reminded him a bit of a good old grant day. To change the cheque, he had to go up to the Archway Tavern at the western end of the Holloway Road, where a hand took four quid out of it, appearing and disappearing through a small hatch. Whatever happens he wasn’t going back to Ireland, running back into the arms of the dole. The day was mild and, wanting to have more of a look around, he took his time and walked all the way down the Holloway Road with his money in his pockets. With the fingers of his right hand he rubbed some compact pound coins together, while the left felt the small wad of notes in the other pocket.
This was the way Quirke remembered being born. He was on the edge of a cliff or some other precarious height before he was cast down by some sudden, irresistible, invisible force. He zoomed downward but just before he hit the ground the flight stopped suddenly and he landed and survived. The strain of the pain, the pain of the strain on his neck was always there, in the dream. At other times he dreamt his head was stuck to his shoulder. Thirty-six hours it lasted, originally. To that day he’d found it hard to get a hat to fit him.
Kim didn’t go to the office on Monday. After dropping his laundry in for a service wash at Ladbroke Grove, Quirke wandered up Portobello Road and bought a Triffids tape, Calenture.
In the daytime, Portobello smelled of hippie veggie and exotic foods, where English was like a minority language behind the likes of Polish and Spanish. So many beautiful women went to and fro. When he got back to the flat, she sat on the edge of an armchair and told him he was freaking her out.
“You’re the most selfish person I know. Not selfish in small, everyday things, but in an emotional sense.”
She had a point. His own happiness was evidently more important to him than hers – he was in her place – but the eventual detachment that allows people to think of someone else’s welfare first, if necessary, also allows them to think of the right kind of person for that regard.
She asked him to stop using her. Who’d been using whom, he wondered. Why couldn’t she have just left me alone?
They watched Prick Up Your Ears on video in the afternoon, alone in the flat together, talking to what real purpose? If she saw a monster in him then he’d let her feel its power. He was freaking her out.
“What do you want to do?” she asked.
“You mean, what’s my goal?”
“Out of here, that’s my goal.”
She didn’t go to work the next day either. He had to be a model prisoner. It was the agony in the box garden. They watched Scanners, with the bad psychics exploding the others’ heads. It was like what he’d been doing to her since he’d got there. He thought of making a joke about that but decided against it.
Simon said he’d try to get Quirke a job on one of the sites where the company he worked for, in a white collar, was one of the names on the billboards. The site in question was an office block called Beaufort House, on the site of the old P&O building beside Petticoat Lane. Quirke asked about the firm that owed Simon a favour and he said they were English, dry-liners, from Nottingham. Shoes would suffice indoors, it was good to hear, as he still picked scabs off his feet after the old boots.
On the first of March, Quirke took a tube to Liverpool Street to meet Simon for lunch and discuss it further. Quirke said he’d do it for a few weeks, to get on his feet. Raising his eyes as far as the end of the carriage on the tube back, he fixed upon a striking, dark young woman, dressed to match, standing at the other end. Then he noticed she was really stacked, in black. Then he saw she was Maria Whittaker. Then she got off.
His first celebrity had been spotted, the reigning queen of page three. Stardom seemed more tangible, more real around London, in the shadow of the stars. It waved itself under a person’s nose. He longed to thump his fist on the table at home and say, “I told you I could do it!” If visions of world destruction were characteristic of schizophrenia, then, in a world of fifty thousand warheads, he just assumed the conditions were there for mass psychosis. Quirke’s proposed solution was to pick a subculture and make it within that.
Mile End had been a dirty site. This one was merely dusty. More than that, it was surreal. The lifts caused chaos, breaking down or meeting trolley gridlock at the groaning doors on every floor. He didn’t know how anything got done but it was nice to be able to look out from a high floor and see the city without cars or people. The soundproof windows presented a silent skyline. The greyness made him think of the Sixties but he wished it was Paris or Rome.
He wondered was it always going to be a dawdle but of course the very next day was hard, with lots of deliveries. Quirke nearly did serious damage to an old chap when the weight of a wheel made a hole and he allowed a trolley of plasterboards to go over the side of a wooden ramp, down on the basement-like ground floor. It was his teenage colleague, Martin, who shouted a warning just in time but all trolleys tipped over, all floorboards broke.
Pushing another trolley of boards, Plug the ganger and his nephew Martin managed to detach the water pipe to the portable toilet cabins, thus flooding a large part of the same floor. Martin was only seventeen. The site was full of pretty boys but this lad had a snaky, zigzag scar down one side of his face. He told Quirke he’d got it when he “went under” a car at home in Dublin. The Geordies with the firm nicknamed Quirke “Shadwell” after Rob Brydon’s Welsh caricature on Naked Video. It was because he wore an old pair of glasses held together by masking tape, to save his good pair. The tape only made him look like another headcase.
Chris and Simon went out on Saturday night but, just to do something different, he didn’t join them. Neither did Kim. She wasn’t much of a drinker. Even in their short time together she’d let him go to the pub on his own more often than not. They sat watching TV and, clean and properly bespectacled, he drank a bottle of whiskey. Kim gave him a bottle of Southern Comfort she didn’t want. She looked at him after it and said she hadn’t thought he’d be able to drink it but he had, with enough of a mixer mixed in, admittedly. She watched him walk from the living room. She reluctantly acknowledged his composure, even though he’d become too skinny for her, for one thing. Plus he drank too much. But she was young and Irish too and she never told him to stop it.
Back on the job, skin irritation grew from rock wool, gypsum and general dust but at quarter to five he was thinking that when he looked out from a gathering in a hotel suite on such a high floor, then he’d have made it. Then Martin then started throwing things at him, just for a laugh, and they very nearly came to blows but in the event merely came to pushing. The kid didn’t understand how irritating it was to Quirke, that schoolboy rough stuff. It upset his mellow late afternoon. Maybe it was just fatigue that made him react so quickly but, anyway, he apologised the next day. He had to work here. At least Martin didn’t throw anything at him again. To pass the time in the afternoon the two of them then sneaked into the finished marble halls in the centre of the block and invented a new sport – racing the lifts up and down the floors.
A new girl then turned up in the flat, to make them five. Eileen knew Simon. She looked all right: slender with bright brown eyes. She started to sing along with Love Street on a Doors tape. She held the tune. Quirke liked that. His inner turbulence subsided a little. Many ideas came to him before going to sleep. He thought he had a novel in him, a green liquid circulating in genesis, as in John Carpenter’s Prince of Darkness.
In the meantime he roughly broke the corners off nine heavy, pink, fire-line boards and discovered that he and Martin had damaged a load of thin pipes covered in special paint by flinging them aside in a heap. They had been told to shift them out of the way and they had done this task while it noisily pissed down outside. The clang of the pipes had peppered the dull roar of the rain.
He skived off twice, another day, for six pints in total. He’d been working on a quiet floor with two Tonys when one of them mentioned St. Patrick’s Day and asked if he had any plans for the night. Then the other revealed that he wanted a pint right then, so the trio slipped away to the Archers. Of these two Tonys, the London one had a ponytail and was rather quiet, while the Leeds one said the only people he’d ever met who were like him were people from Leeds. He also wondered why he was bothering nailing up plaster boards when he had an order from Leeds for 4,000 E’s, if he wanted to fulfil it.
The second skive was with Plug, who claimed to have been the driver for some stick-up artists at home in north Dublin, where they had to share the proceeds with the IRA.
On Saturday afternoon, Quirke went up the Portobello Road to buy a Roy Orbison compilation, in honour of a man who’d recently died for joy at being back in fashion. There he ran into Eileen so they went for a few drinks. They sat in the Elgin in Ladbroke Grove with the sun in the windows above their heads and the fruit machines blinking, across the carpet. She confidentially claimed Simon had told Chris he was trying to get away from Kim. It was a twist but he decided not to swallow that one right away. It was inconceivable. He swallowed his drink instead.
In the night, though, thanks to some crossed wires about where people were meant to be meeting, it transpired that just he and Kim met in the Lonsdale, near the top of Portobello Road. There they had a couple of drinks before going down later to Shepherds Bush to catch up with the others. They sat at a table in the large porch beside the beer garden. Somehow they did love each other. Even though, as the Man said, It’s Over. When, for effect, he said he needed a good f*ck, Kim told him he needed to make love. Her suggestion was impractical, his suggestive, but the fact that his talk seemed to make her happy for the evening, which seemed to be her maximum, gave him a strange if fleeting feeling of gladness.
If Chris was going to persist with Eileen after that weekend, though, Quirke knew it would be yet another dangerous liaison for him to consider when manoeuvring to preserve and advance his position; to preserve, protect and defend his constitution. A third girl had turned up in the flat, to make them six and to crash either on the couch or the floor of the living room. Katie knew Kim. Katie’s temporary occupation consisted of hanging around the Shepherds Bush TV studios, waiting to be called in as an audience member for Kilroy Silk, where she could look solemn and interested in what other people were saying, at least until her face got too familiar in the crowd.
A new Dublin kid on site, Robbie, seemed a bit of a nutter. He lifted weights and did press-ups on the job. He was hyper. He and Martin soon crossed words up on a scaffolding tower and Quirke saw how natural such aggravation was to them. He wondered about what kind of selection of criminals had come over. They were like wild animals.
After spending enough time in the Archers, Quirke realized the EastEnders soap was real but he found he couldn’t cash one of his cheques there after an ingenious little scam had come to the attention of the staff. There was a loch of water in the cigarette machine. The usual transaction toll was a fiver from each cheque but, for any and every dud, there proved to be a more constant source of annoyance for the governor in the form of bits of ice frozen in the shape of fifty-pence pieces and dropped into the money slot, to melt at the bottom. He never caught anyone so he had to impose a sort of collective punishment.
Eileen then made a cuckoo move into Chris’s room so she got more threatening. Quirke wasn’t averse to firing a shot across her bows because she had a neck as long as her arm but she’d only have been a scapegoat. It was only the hassle of chess. He needed success quick, he felt, but then Chris turned around and informed Kim that a Scottish blonde was moving in, that he was moving her in. He gave Eileen no explanation except to serve notice in advance of a return to the living room. Simon put his hands to his face and observed that this was all getting out of hand.
Quirke retreated to a bench in the park. His life had consisted of college, dole and unreal jobs, as opposed to having a ‘real’ job. Once upon a time in Ireland it had been possible to have a ball if you got into a college – presuming you could lay your hands on a few quid for a drink – because with a degree you could walk into a job afterwards. That’s if you were lucky in that, economically, you got on one of those last choppers out of the Sixties. In the Eighties, in contrast, student types thought they might as well enjoy it too, prolong it as long as they could, because there were no jobs outside, unless one had pull or had earned a first. Thus college, dole and ‘unreal’ jobs kept the rest going before they left the country.
There were now candles in the bathroom to be lit for the sacred rites after Chris had dried his hair too vigorously with a towel and smashed the light fitting in the ceiling. While the sturdy ventilator was still booming, no one inside could hear a thing from the rest of the flat, no matter what was being said about him or her. While Quirke was newly clean and resting briefly in the dark on Chris’s bed, though, someone might have advised Kim not to talk so loudly when the living room window was open, across the patio. When she in turn went for a bath, he and Katie started bitching in return but later, with just the two of them there, his hostility melted away again and he tried to reach out, to help calm her evident distress. He didn’t like to see her in visible distress.
While Quirke was waiting for Chris to get out of the bath the next evening, Katie came back from a venture out of the flat and sheepishly confessed to Eileen that she’d got her card swallowed at an ATM, after Eileen had given it to her in a manner of lending her a few quid.
“How did you manage that?”
“I, eh, got the number mixed up, or something. I…”
“I told you to write it down.”
“You just kept pushing buttons, didn’t you?”
Three strikes and you were out. Buttons were being pushed all over. Kim got up off the couch without a word and squeezed into the kitchen to see how Simon was getting on with the steamy dinner. Katie then turned to Quirke, as if for support or sympathy, but got none.
“That wasn’t the brightest thing to do, now, was it?” he shrugged.
She turned back to the exasperated Eileen, who had her head and her hair in her hands.
“Jesus,” she sighed. “Do you know what a nuisance you’ve caused me, now that I have to go and get that back?”
Then Simon got even more stressed, collapsing at work but managing to gasp Kim’s name and work number to his colleagues. He had to have his appendix out. The day was unusually warm when Quirke walked up towards the Harrow Road to visit him in hospital. In his pyjamas, the patient described the post-op pain, of being unable to speak, while lying at night in a shady corridor, on a trolley, silent and helpless. He’d managed to lift his arm a little but it only fell back again. The heat of the day was like summer, deadening. Tell me about it, thought Quirke, as he looked out over the grounds via the nearest window. At least Simon was out of the flat for a few days.
The job was a dangerous joke at times. Martin opened up on him with a fire extinguisher in the plant room, up on the roof. He could have fried them both, apart from causing millions of pounds worth of damage. That was the verdict of the suits that later appeared up there to do an inspection. Two of the company’s tradesmen, while nodding and listening to the gravity of the incident, waved Quirke away, behind the backs of the suits, when he appeared again at the top of the ladder to see if they needed anything.
Getting dressed after a bath was still wonderful, though, even if there was even less illumination in the bathroom after Eileen had stayed so long in it that the hot candle wax that filled a glass ashtray on the upper of two glass shelves by the wall inside the bath caused a cracking, crashing, flaming cascade into the bath and she screamed through her Psycho moment.
Quirke made a call with a card, from a box across the street. Needing an outlet, he got invited to go out and meet Richard again, in the West End. Rachel was among the people with him. Rachel was likeable. Intelligent, educated North Americans tended to be more open-minded than their European peers because they had fewer intellectual prejudices. Plus her manners were impeccable.
The group they were in went off to a house in Kent where, in the course of the night, Quirke went through another bottle of whiskey. He was the last up, finishing it and listening to REM and The One I Love, when he joined in forcefully and repeatedly on the one-word chorus. Fi-err! With his eyes closed in concentration, he heard the door open in a rush. It was Richard, bursting in.
“Jesus Christ, I thought there was a fire! Why were you shouting “Fire”!?”
Quirke moved the CD onto the next track. Back at work, he just wanted to kill Robbie. He saw him as a real moron who didn’t know what he was dealing with. None of them did. It was when Robbie and Martin were together that they started to take the piss. Quirke tried to avoid them when possible. Then he hurt his back again. He was never going to lift plaster boards after this. The two kids reminded him of his teens. That’s what he didn’t like most.
In the Aldgate Nag’s Head at lunchtime, a black stripper focused her attention on Quirke, partly because he was sitting next to the stage, where the only space remained, but also because she’d wrongly hassled him over money and was only trying to make it up to him. “Come on love, we all have to make a living,” said the stripper, having forgotten that he’d given her a couple of pound coins at the other end of the bar. The suits congregated back there while the builders sat and stood up front. Though he thought the women had to be dead while they were up there, her remorse seemed genuine when she realised her mistake, but then again he saw more of her arse and vagina than her face. All the while the roars drowned out the music – the strippers having brought their own tapes –
Late that afternoon the driver of a company van down from Nottingham arrived to take gear away and he looked shocked to find all their people drunk on site. It was like several simultaneous re-enactments of The Plank, with each man improvising with one or more lengths of aluminium, all wobbling like seesaws on their shoulders. Ends were rising, ends were falling, ends were swinging and crash banging on their way into the van but Quirke didn’t care. He was about to give his notice anyway. He wanted to get away from there.
One of Katie’s friends had a typewriter and he brought it to the flat in W10 to sell it to Quirke and Chris for fifty quid. It was the business. Then Quirke was brought off with Richard, Rachel and Eileen to the Wag Club in Chinatown. It was seven quid a head for an acid house type of racket. Bollocks, he duly noted, but Richard paid in. Eileen was pissed and she cut up Kim. She’ll not take me on because of her, Quirke thought, though she kept asking him if he found this or that woman there attractive. In the end, though, he gravitated to spending most of his time comfortably talking to Rachel, leaving the other two to converse as they saw fit. The four stayed up by the bar while some sort of orderly attempt at a rave went through the motions in the background. Only Kim noticed, after that night, that Quirke spoke of this American in a way she hadn’t heard him speak of any girl, over there. It was in a positive way she’d hoped to hear, to take the heat off her, but it was just a pity that Rachel already had a boyfriend and couldn’t solve her problem.
Up on the roof the day was wet and then the rain gave way as the breeze chilled his chin. He thought he did his best thinking at such a height. The vast city set him going. He imagined a voice-over as a camera swept across it. He had set his heart on quitting the job. A London skinhead complained that nobody was willing to do anything about the shit in the corner, behind the company hut.
In the canteen, Robbie and Martin spent over an hour talking about their past lives of Dublin crime. In a feud, Martin’s granny had got shot in the eye with a pellet gun while his grandfather “got” an axe over the head.
He left the job early on his last day, in case they stuck him to the ground with a Hilti nail gun. He’d either go home in a month or, then again, maybe temping might be easy. As they walked up to Sainsbury’s to do some shopping, Chris must have read his mind or else he just wanted to be rid of him. He asked him out of the blue was he going home. The answer was still a bit uncertain.
It was late when Quirke went out alone for a walk in the damp night. How could a child really be blamed? All it boiled down to in the end was lust and pride. How galling it was not to have had her. But if that was all that remained, it meant he was pulling out of something. He was only affected by her presence, no longer her absence. That’s how it had been, before the summer, but there was a huge difference at that age between understanding something and bringing it home to oneself.
The next time she pestered him with her point of view, he manoeuvred her into an argument about sadomasochism, where he could try to baffle her with references, but she staked out her ground on how and where and when.
“How selfish you are,” he replied.
“What do you mean?”
“I mean, I should know.”
“But nothing like that is black and white.”
“As in what’s between us.”
“I know what you’re saying.”
She got up then and left the room for the sanctuary of her own, leaving Quirke more bewildered than ever. He sat in the little park, nearby. Earlier he’d been at a book stand up at the market and felt the warm tangibility of the book he was going to write. Then he’d moved on to the stall where the classical music played. There, Kim growled in his ear. She was with Simon. Tears weren’t a million miles away. He’d never wanted more to be on his own. He’d never wanted less to see them. To see her. He thought he had to go home. He felt he’d learnt some lesson there but later she just said she didn’t believe he’d go. Usually, when he was with her, he felt no hostility, only to brood later, on his own. She should have left me alone.
He and Simon went out for a long walk, late. Simon said he too didn’t think he should go home. Quirke crashed out a couple of times on the chair the next day before he and Eileen went out to Ladbroke Grove. He didn’t want her. That’s what he thought, he knew. Kim and Simon joined them there later that evening. If he’d met her in other circumstances, it might well have been different. The first two were twisted on the walk home because they’d had little to eat but he still resented Kim trying to encourage them to get together. It was not on, not least because of that. He wouldn’t let her cool the mark out.
Chris, in contrast, simply decided that he was going to America. Quirke guessed that they’d both be leaving this monstrous regiment of women. Saturday saw a lot consumed in the Lonsdale, around a table in the back lounge where Richard too was quietly egging him on to take on Eileen, but where again he found himself deep in conversation with Rachel, before it all got a bit hazy and the group found itself outdoors in Hammersmith.
Quirke got separated from the rest by tripping on and getting tangled in some wire in a building site into which he’d slipped, through a hole in the hoarding, for a leak, on the way to a party. By the time he extricated himself and returned to the street, there was no sign of the others and no one had noticed he was no longer with them, so he had to walk home. The sites were indeed a trap.
After some more time had elapsed and Eileen arrived back at the flat, on her own, Quirke had nothing left to lose and he decided he hadn’t walked home for nothing so he climbed into Chris’s otherwise empty bed beside her. The Scottish girl hadn’t moved in and she was lucky but Eileen took on a new dimension horizontal. Not for the first time, he noted the previously unimaginable healing power of touch, leading to an altered state of mind, for however long.
He was a bit sad that Chris was leaving. His moods were swinging. Looking at the cards in the slots, he felt almost faint in Ladbroke Grove job centre. A desire to flee from struggle seemed overpowering. He’d have loved just to f*ck off in the morning, if he’d had the money, but he had to keep his head.
With a spring in her step, Kim breezed down into the living room in the morning. He sat on the couch with a cup of tea and asked her why she was so happy. “I’ve a great sex life,” she volunteered, just in case he needed to know. “Good for you,” he answered and took a sip of the tea. His hatred of her idiocy, her cruelty, welled up in familiar silent rage and pain from which he wondered if he’d ever get a break. He hated that delicate phrase “sex life” too but still he didn’t fling the cup at the wall or at her head.
A proposed month’s work in a dole office then fell through. He’d put on a tie and all. He went home and crashed and felt a bit better when he woke. It was as if his will to work was broken. He was lacking in nourishment too but his college experience as regards hunger artistry was standing him in good stead. Then Eileen kindly cooked him a couple of meals. He’d had ugly premonitions of what it would feel like to be in London. These had come horribly true yet he told himself not to worry.
Quirke confidentially told Richard what had happened with Eileen, only to be told in turn that he’d already had a discrete encounter with her, before the Hammersmith trek. Whether or not it was an exaggeration or a wind-up, this latest episode of feeling the floor move beneath him was really all Quirke needed at that moment in time. Did the world know something he did not?
Before he went back down to Hammersmith to do some photocopying, the sight of Kim in the flat – the way she was lightly dressed, virtually exposed – made Quirke realize he was the coyote and she was the roadrunner. He just had to have her sometime. It was an existential thing. He then went down to Ryman’s on a sunny day but something went wrong with the photocopier and the people in the queue turned to each other in diffident, smiling uncertainty.
In front of Quirke stood a middle-aged transvestite, with plucked eyebrows and bright red lipstick. The guy behind Quirke then asked him what kind of script he had before adding quickly that he was in the film business. This man’s name was Stanley and in the course of their conversation he said he’d help him. He had tight black hair receding at the temples and looked like the type of chap who’d be involved in some expensive, minority sport. He didn’t seem gay.
Chris was gone. Quirke had given him the tape of Calenture and in turn the departed had waived a debt of twenty quid and left him the typewriter. Kim then announced that she and Simon were kicking everybody else out in two weeks. Out of there, that was his goal. Rooms were switched, walls were washed, in a flurry of spring cleaning that Quirke participated in by helping with some furniture lifting, fearing Kim’s wrath if he didn’t.
Katie moved out first, to a flat in Shepherds Bush. Then the typewriter ribbon gave out. It never rained but it poured. The sun went down in the park. It probably went down broader, down by Wormwood Scrubs. Very nice but he wanted to be home.
In the same weather, Richard promised money. Maybe, thought Quirke, he could relax, just a little. He read that Welsh pigs wouldn’t drink London water at an agricultural show and he flogged the typewriter in Notting Hill Gate. It cost him a lot of effort to lug it up there. He lifted the machine onto the shop counter. A grey t-shirt with greasy black hair plastered across his head moved forward to inspect it.
“So, wot have we eah?”
“Will you buy this typewriter off me?”
The grey t-shirt leant forward and peered into the works. There he spotted the loose ribbon and wiggled the problem with a suspicious forefinger.
Quirke then stated the obvious.
“Er, the ribbon’s given up.”
The t-shirt gestured with both hands at the machine, like he was pushing an open till closed.
“Well, fix it.”
“Why not? How do I know it’s your typewriter, then?”
“Er, I’m a writer. I’m not very technical.”
A second’s pause for thought evaluated the plausibility.
“Oh, OK then. How about fifty quid?”
Just like that.
He saw a Slattery’s bus ad on the Tube – only fifteen quid to get to Dublin – but just for a change he spent a Saturday night in Eric’s place, way out east in Dagenham. Eric was Kevin’s landlord and they lived in Gay Gardens. It was like an address in a sitcom. Quirke had asked if there was possibly any room there for him, so Kevin invited him out to test the water.
There was a guy called Mac staying there too, along with a canary called Harry. Mac had done a runner out of the North in 1971, when the Brits had piled in through his mother’s front door and he’d dived out the bathroom window, pulling his pants up as he jumped into a car waiting in the back lane to take him over the Border.
Mac and Quirke went to the pub, then to the off-licence. Mac’s fair comment on Irish ‘entertainment’ in places like the Archway Tavern was, “If they love it so much, why don’t they go back there?” With the hot sun forcing its way through the net curtains in the window and the whiskey and cans on the table, he provided images of the Southern border town of Dundalk (“El Paso”) in the early 1970s: people who’d never set foot on a farm used to walk around with bags of fertilizer over their backs, while the locals stayed indoors. It was like the Wild West back then but, by this time, 1989, he believed the IRA were only wasting their time.
Playing table football in the house with Eric reminded Quirke of a diversion from lonely bar extensions as a new student, when he’d had no one to talk to. Eric’s Irish impression consisted of saying, “Where’s me fucken shovel?” and it was decided that Quirke would move in, to the empty room at the back, off the kitchen.
Back in W10, the woman upstairs had stitches over one eye. It was evidence of a backhanded compliment from her other half, Quirke guessed. She wanted Quirke to get some things in the shop across the street. She gave him coffee and kept him talking upstairs. He told her he was moving out in a few days. She said she was glad people were moving out downstairs, that Simon and Kim were like a married couple down there and needed their space.
As the good weather survived, he might not have wanted to be in London any longer but he wasn’t moping or panicking. He had an attitude like that of Micawber. Things kept turning up. He had a job for Monday through Mac’s boss but there was some kind of war going on upstairs again. He was down to his last fiver. Then Kim said something that surprised him, after all that had happened.
“There’s a bed here now, if you want it.”
In ways, though, he was still sane.
“No, I think it’s for the best that I go.”
“Yeah, I think so too.”
“Anyway, I feel like a safecracker when trying to light that grill.”
On leaving he forgot to say thanks. He knew he’d go crazy altogether if he stayed there. What did he think about the reality of London, in the end of the day? He couldn’t starve to death or be executed. It was highly unlikely he’d be put in jail with the newsworthy Irish. These facts had to count for something.
The phone rang and it was Kim. He agreed to go and see her that same evening. He simply couldn’t refuse that voice at the other end of the line. Simon was away and they had a good time, relaxed and yet urgent, in the pub on the corner before returning to the laboratory conditions of the flat. Two of Simon’s brothers were crashing there in his absence so she brought Quirke into her room to continue the chat. She sat up on the bed, leaning on the pillows. She was in one of those moods again. She’d cause havoc wherever she went. He took the other end.
“Right now I feel like crawling over there and nibbling your ear,” she said.
It was a journey to the end of the bed. Either take your clothes off or keep your hands off, he thought. God we are stupid c*nts, us, in different ways. He not long twenty-five, she not yet twenty-two. Was there something the world knew that he did not? At his age, he wondered sometimes.
“But you can’t, you know that.”
He felt a little unwell but he had to tell her now.
“Have you any idea at all how much I wanted you, from the beginning?”
When it had been just the two of them, there might have been a double date with Adam and Eve.
“But darling, you never gave the slightest sign of it,” she answered.
“I thought you were… you know… you hadn’t…”
She sat up a bit.
To him she’d seemed a childlike angel, with a body to confuse all the numskulls down below, what with all the false alarms. She may have seemed a kid back then but all hadn’t been quite as it seemed. It never was. That had only been a spell that lasted a month, before travels on her part intervened for the first time.
When she came back the first time, she soon said the thrill was gone but the dust between his teeth didn’t infest his emotions, at first. She’d told him back then that he was up in the air, like a man tied to balloons in an art shop print they both saw, on one of those Dublin afternoons where there was always a bus or a train to get, but he didn’t understand what she meant. Now, in the room, she was quiet for a moment. Then she spoke up again.
“But wouldn’t it be a mistake for us to make love now?”
He thought of three things at that instant: the knot of bitterness and the pair of righteous brothers outside the door. The bitterness could have been overcome but, like Wilhelm Reich, he at least understood the crippling effect of a lack of privacy on human relationships. He muttered an answer instead of breaking something. He mumbled that it would.
One of the righteous brothers entered the bedroom to give her a little lecture while Quirke was in the bathroom. A blast of flashback occurred before he returned to her room. The heavy scent of the windowless bathroom with the noisy ventilator. The claustrophobia. Astral projection. The conversation died away, drained after that talking cure. He left the room soon after she said she was tired. There was a somewhat upbeat conclusion on her lips. We’re only beginning. I’m not letting you go.
In the course of falling asleep again on the extendable chair, it seemed to him the emotional coast was clear. No noise came from the flat upstairs. Presumably they still blared Doris Day, occasionally. Our lips shouldn’t touch, I like it too much.
The strange birds that strayed down from the heights had to be grabbed and thrown into sacks but knowing just when to make the lunge seemed the art. Ask the coyote. Waking up was like the relief after an operation. Then the patient leaves the hospital, thinks he’s healed, but the scars are tender for a long time and finally leave their mark.
The next day a girl friend of hers called to the flat and the three of them went down to the park, Wormwood Scrubs. The way Kim was dressed, in light pink shorts and matching tight top, with sandals with heels, helped explain the looks she got from the chaps sitting drinking outside the couple of bars on the road. Jaws were dropping away from the pints, at the tables, across the lively traffic. He saw them. He understood them. As for the feeling in the park, he felt like tearing up tufts of burnt grass instead of contributing to the conversation. By then it felt like a Mediterranean climate.
Another feeling was one of wondering if the emotional coast really was clear. The prison stood in the distance. What prisoner, had he known, would have swapped places with him at that moment? The common or garden psycho would have had no problem with that.
He went to meet Katie in the Station Tavern on Latimer Road, where a blues band was resident on Sundays. Kim came in later, a bit shaken after spending the night in the modern eternal triangle, stuck in a room that wasn’t her own, with a couple bonking. Quirke just had to laugh at this reaction and squeeze her arm.
Simon brought him down the road from the flat for some late ones. The pub landlord ejected two identical twins for refusing to drink spirits instead of pints, after closing time. Simon said they looked like undertakers. “Bound to be villains of some description,” answered Quirke. Simon kept saying things like, “Isn’t this great?” and in truth it was really enjoyable despite the moment of on-looking horror at the sickening state Jim McDonnell was in when knocked out in the final round of his televised fight against Azzuma Nelson.
They talked about Kim, and Quirke, sounding as sober as a judge, was quietly satisfied with what he saw as his honest, clear and just appraisal of their situation and what needed to be done. He was calm and even-handed, that was all. It was like looking at a sibling in the throes of a childhood illness, like measles, from which the observer had just emerged.
In the morning he woke up there on the dental chair. The living room was empty otherwise. Simon was banging on a locked door in the tunnel beyond and shouting Kim’s name. Then he could be heard muttering to himself before he left the flat, slamming the door to the street. Quirke sat up and the back of the electric chair sat up with him. He didn’t like the sound of this and he pulled on his jeans.
He dressed fully on hearing a crash of breaking glass. It had to have come from the street side. Simon had put a bottle through her window because she was in bed with another man, in revenge for Simon previously getting off with some girl, when Kim had been like a hen with an egg, trying to prevent that happening.
The other guy vamoosed in a trice, having perhaps first peered through the broken window to see if the coast was clear. Then she entered the living room, alone and scared. Next Simon came back into the flat and started screeching at her. Quirke even thought he was going to hit her. Well, he wouldn’t have let that happen. He stood between them, calming the situation, protecting her to the end. But he knew he’d be finally fully cured and healed. He’d just never have reacted with such overt passion. Simon stormed out again, this time for the day, and when the dust cleared Quirke asked her if she was all right. She said she thought so and he said OK and confessed that he didn’t want to hang around any longer.
There’s an old saying in the music business. Musicians are arseholes. The first time I heard that, many years ago, it was said by a musician. He was a Dubliner who by then had already spent thirteen years making a living in a Bee Gees tribute act but he based his view on all the bands he had ever been in. The most recent affirmation I came across appeared in a magazine interview with Danny Fields (real name D. Feinberg), former Doors ‘publicist’ and manager of the Ramones.
Mention of the Doors leads on to a qualification at the outset. This is about the young Alma Schindler (1879-1964), with only passing references to her later life. It’s like explaining the reason for being chiefly interested in Jim Morrison and his creativity before he became famous. Why not later? That’s when the bullshit took over.
Die Schindlerin, or the Schindler girl, as the young Alma was often called, was a musician herself but it seems clear from her early diaries (January 1898 – January 1902) that her famous musico-sexual entanglements with Zemlinsky and Mahler were not in her best interests. Treat ’em mean and keep ’em keen, as the chauvinist motto goes. The drama queen Zemlinsky, whom she met in February 1900, was a bad influence on her (and on her diaries, where she eventually becomes a bit of a bore) but at least he did acknowledge that her birth as a girl did her talent no favours in the music world.
Simply put, she had started to think like a groupie. Mahler ‘rescues’ her (and the reader) at the end, if only by virtue of a speedy courtship, but his monstrous demand that she give up composing to be his skivvy demonstrates just how this bad influence evolved in a more fateful direction. I think life with Mahler drove her cracked, as the Irish phrase puts it. After they married, he expected her to open the door for him in silence when he arrived home for lunch and to remain silent for the meal, so that his artistic thoughts would be undisturbed. The joke label of ‘Mahler in the morning’ for the common earnestness of his fans did not appear out of thin air.
Furthermore, in a funny Daily Telegraph review (2004) of Mahler’s Letters to his Wife, Tom Payne observed
“When he failed to buy her a birthday present, he wrote: “What more can one give, when one has already given oneself?” Considering the sacrifices she’d made for him, you’d think a nice hat would have been a start.”
She had sold her soul to Mahler but, given her time and place, there really wasn’t much else a clever and good-looking bourgeois girl with a piano but without a husband could do. Ironically, as the 1898-1902 period in her own words reveals, music was not even where her true artistic talent lay. She was really a writer.
It is vital to note that there are two versions of these diaries:
(a) the German original, deciphered by Susanne Rode-Breymann in collaboration with Antony Beaumont;
(b) the shorter and very different English translation, for which Beaumont alone is responsible.
Though the English one too is packed with incident and observation (and too much material of interest only to musicologists), the introduction is enough to earn the recommendation that the volume should be consumed with caution. For example, it is there that the translator, sneering at Alma’s poor grasp of musical notation, comments that her first teacher – the blind Josef Labor – could only judge her compositions by what he heard. The subject is music, after all, and a complete inability to read it made no difference to Lennon or McCartney or the opinion of their admirers.
Furthermore, the translation is prone to the occasional howler. To give just two examples, he makes ‘physical’ out of psychisch (a passage where Alma contrasts the attractions of two men becomes unintelligible as a result) and – even worse, in the Austrian context – renders Schmäh as ‘smear’. In his history of Austrian humour, Georg Markus links Wiener Schmäh to Vienna’s ethnic mix and defines the particular sense of humour as a mixture of melancholy, sarcasm and a little malice.
By my own count there are also fifty-four important textual omissions in the English version, including several sympathetic remarks about Jews that don’t fit the picture of an antisemitic monster that is often hawked around, even now. The final important omission is her vivid account of a day in late August 1901 that she spent on a mountain hike in the Salzkammergut. Prevented by rain and fog from the final climb up Hainzen (1,638 m or 5,374 ft – I checked) she instead made it to the top of Katrin (1,542 m / 5,059 ft). This demonstrates how vigorous and tough she was (and Beaumont does include the day she extracted one of her own teeth) but it also prefigures how at sixty years of age (in 1940) she was able to lead her second Jewish husband (Franz Werfel) and a motley crew of refugees over the Pyrenees, away from the Nazis.
Alma did admire Hitler on meeting him before the war but she always liked a drink and was wearing champagne goggles at the time. As Rode-Breymann has recently (2015) observed, Sie hätte sich von Werfel trennen können und wie ihr Stiefvater, ihre Halbschwester und deren Mann in die Nationalsozialistische Partei eintreten können (‘She could have separated from Werfel and, like her stepfather, her half-sister and half-sister’s husband, joined the Nazi Party’). Instead, she walked the walk.
So, what kind of writer was she? My initial feeling on spotting all the gaps recalled Noel Coward’s advice to Little Jimmy Osmond. My dear boy, you have Van Gogh’s ear for music. Even more than having such an ear (e.g. for Wiener Schmäh), though, the translator sometimes seems blind to the sheer colour in Alma’s writing.
Several themes loom larger when one studies the omissions. Some important details of her relationship with the painter Gustav Klimt are left out, as are multiple occasions that detail the hassle and harassment that women – in all times and places – experience, which is a topic of particular public interest at the time of writing.
Beaumont does not do enough justice either to her powers of observation, powers of which she herself was very aware. He includes an early passage on the Kaiser’s fiftieth anniversary celebrations (1898) that eerily matches the tone of Joseph Roth’s Radetzky March but, as that of a woman in imperial Austria, her chronicle of the absurd and the farcical more often reads as a counterpoint to Hašek and The Good Soldier Švejk.
The only sensible way to present the most striking of these omissions is chronologically, the source being a diary after all.
There is a scathing, sarcastic account of a ball thrown by the Austrian railways minister, Wittek, where, in her words, it rained excellencies, counts and barons. She details the exaggerated bowing of the ladies before old toffs and she resents being introduced like an exhibit in a gallery.
She is still only eighteen and the family is staying at the Franzensbad spa, in western Bohemia, for a funny little bedroom farce with some hotel neighbours. Alma first describes the arrangement of the rooms. A lady has the one beside her mother; beside the lady is the room with two of the lady’s gentlemen friends; then it’s Alma sharing with her sister Gretl; and beside them again lies another one of the lady’s admirers. In the course of the night the lady compensates the poor outlier with a visit, whereupon Gretl wakes Alma to complain about her shaking the bed. Then the girls realise the noise is coming from next door. Bald konnten wir auch eine hohe Frauenstimme vernehmen – und wir wussten alles (‘Soon we could hear a high female voice – and we understood everything’). She adds that their Mama could not get to sleep for a long time, due to the four hearties (Wackeren) drinking champagne, heavily.
Alma gets propositioned on a Viennese street. A year later Beaumont includes the entry about her being followed by a young man on another street.
She presents another farce, this time concerning the antics of a singer called Oberstetter who visited their home. Aunt Xandi cleared away the afternoon tea debris into the girls’ room and O. gallantly opened the door for her. He then noticed the girls’ collection of photographs and went in to have a look at them. Alma had raced downstairs in the meantime, in response to the arrival of two unexpected lady visitors. She brought the two ladies upstairs. Alma looked around the living room but O. was not to be seen. Suddenly, in the doorway to her room, a tall young gentleman appeared. The two lady visitors were astonished.
Die Situation war peinlich. A young man, from their bedroom. When the first shock was over, the guests sat down and Aunt Xandi made some small talk. O. now sat backwards at the organ bench, where he busied himself by taking his ring out of his pocket and putting it on, before searching for some sheet music and then disappearing a second time.
Alma decided to present some of her compositional work but the elder of the two lady visitors felt it was disturbing and said goodbye. As they reached the hallway, the door of the mezzanine opened with a great noise. Herr Oberstetter appeared on the scene once more. From behind him came the thunderous sound of water flushing. The elder lady took a few steps back but with just a few words he bounded down the stairs and fiddled with his winter coat. The two ladies greeted him with a slight tilt of the head and skedaddled.
Then came ‘the most beautiful part – the catastrophe’, as Alma puts it. Mama. She was very agitated that O. was even there, when he knew that she had gone to see his wife, so the fact that he had given that a miss offended her vanity. She came charging in ‘like an angry tiger’ and, when she heard the details, she screeched at O.
What, you came out of the girls’ bedroom!? Was the conversation not good enough for you!?
As he later departed, Oberstetter said, Now, I have to tell you, as you’ve done today, no one has ever received me, and I couldn’t help it.
Alma describes walking home with her mother and Klimt. Her stepfather Carl Moll and a man named Spitzer walked in front of them, while Gretl alone had hurried ahead, deep in her own thoughts. Near the University a horde of drunken students emerged from a coffeehouse. Three of them descended on Gretl. She turned around and waited for Carl and Spitzer. Two of the three moved away but one remained behind her, with glazed eyes, barely able to stand. Carl came up and told him to get lost. He gave some lip, whereupon Carl gave him a slap. The women grabbed at Carl’s arms, trying to calm him down. They were about to move on when one of the onlooking pack shouted something smart. Wie eine wilde Katze, Carl waded in again and began boxing their ears, one after the other. Fortunately, writes Alma, the lads were so drunk that they did not resist, otherwise Carl would be no more. Klimt stood in front of a bunch and told them off, while Gretl kept screaming in her high-pitched voice, ‘Shame on you! Shame on you!’ Mama screamed for the police and started to cry. In freeing himself to get at them, Carl had pushed her violently in the chest. Alma felt temporarily unwell. Her mother was pregnant.
Of all the events of an extended tour of Italy, the dramatic trip to the edge of the Vesuvius crater is inexplicably left out. After the last stop of the funicular, there was a very hard, ten-minute climb in high ash. Sometimes they had to stop and stand still because the sulphur was so heavy on the chest. Just before they got there, Vesuvius spat a bit more so that head-sized pieces of pumice flew over them. Once they reached the top, they first marvelled at the size of the crater. Inside, it was so green, like an old copper kettle, constantly emitting yellow vapours that hung like a cloud high in the sky. Soon they heard a thunderous sound in the depths, then saw a flash of fire, with the ejection of glowing bits of lava, then a high column of smoke. Just before they left, there was a bigger eruption, so that glowing lava and a shower of ash flew over their heads. Their guide quickly placed some coins in the lava and Carl lit a cigarette with it. The black landscape, the fire, the steam… Ich war so aufgeregt, das mir die Knie zitterten (‘I was so excited that my knees were shaking’).
Alma is unimpressed by street thuggery in Amalfi and Sorrento. After a journey to Amalfi that had them swallowing dust for three hours, her party watched boys fighting in front of their hotel. One of them ended up lying on the ground, covered in blood. Immediately the speculative begging came to the fore again. The rest pointed to the injured one and asked for money for him – die edlen Feinde (‘the noble enemies’). In Sorrento the day before, Alma’s group was walking down the main street, Via Duomo, when they heard insane yelling. Up to ten boys were stamping on the stomach and head of a small one. Alma and the others drove them away and gave the child a few coins. He was no longer able to stand up on his own and he looked pitiful. Wir kochten alle vor Wuth (‘We all boiled with rage’).
Klimt’s rigmarole of an explanation as to why he couldn’t marry her is omitted, yet two weeks later, without this ironic preamble, Beaumont includes his fuming expression of the impossibility of them doing anything except blending completely into each other (i.e. he would have to throw the leg over).
When he finally lets her down, she marks the diary day with a cross. This mark is in both versions. Er hat mich kampflos hingegeben, er hat mich verrathen. ‘He gave me up without a fight; he betrayed me.’ This disappointment had a deep effect on her. It sounds so like Claire Zachanassian in Dürrenmatt’s 1950s play Der Besuch der alten Dame (‘The Visit’) … Ich liebte dich. Du hast mich verraten … that is said as the death sentence during her final meeting with Alfred Ill (‘I loved you. You betrayed me.’)
Again no justice is done to her powers of observation by the omission of the vignette about a sign at a Gasthaus. It was spotted during an outing to Grafenstein in Lower Austria. The sign politely requested guests not to carve up their food on the tablecloth. For Alma this anguished cry from the poor landlord made her wonder just what he had grown used to from his guests.
Alma’s fascinating account of her aunt Xandi’s twenty-one years as a mistress is too long to spell out here.
Beaumont includes details of a road accident in which a young man named Ernst Zierer is showing off on his bicycle and almost ends up under the wheels of a horse-drawn cab. Nonetheless he leaves out the most important part, given the Austrian context.
Ernst took someone else’s bike and went after the coachman. A row ensued. The coachman sarcastically said, You are a daredevil cyclist and I’m a miserable coachman. I had to mind my horses and save my lady thousands. It then turned out Ernst already had the pleasure of knowing the lady, having often bought his cigars from her. Alma explains she had been a tobacconist of very dubious reputation in Bad Ischl. She had gone on to marry a very rich man.
This is a Schwarzfahren story. In the station in Nuremberg, Alma notices that the return ticket for herself and Gretl has expired. The man of a couple there to see them off quickly gives them a hundred marks to get rid of them. The girls decide to get on, each with what she calls a bad conscience and a resentful heart. On the way the controller comes along and asks for their tickets. When they tell him ‘everything’ he continues grumpily on his way. Then comes the conductor. He fears punishment – for the girls. In Munich a friend is waiting at the station – fortunately for them – because they are intercepted and interrogated by railway officials with red caps. The controller keeps saying, ‘The ladies are having us on’, which Alma finds so very embarrassing. She adds if they had not had their friend there, they would still be in the company office. Oh, es war scheusslich. In the end they have to pay double the ticket price – 72 marks – as a fine.
The Rhine Maidens episode involves a boat chase on a lake. At the outset Alma prefaces it by saying this would seem far-fetched in a novel. She makes a similar comment after two wedding proposals are received in one week (see Beaumont). Anyway, she and some other ladies were in a rowing boat, whistling some Wagnerian riff at a woman’s house to attract her attention. A young man appeared on the shore instead and whistled back at them.
Tired of heavy oars, they changed to a smaller boat at a boathouse, where the young man quickly rented one in order to follow them onto the water. If they went fast, he went fast. If they turned, he turned the same way. The pursuit reminded Alma of Wagner’s elusive Rhine Maidens. They returned to the boathouse, so he did too. They abandoned the boat and hurried up the road. Then they heard the voice of a young man they knew, calling them back to the water. They turned to their saviour for protection but when the two young men spotted each other there was a cry of joy and big hugs. The girls were astonished. The two chaps were best friends.
Rosa Kornbluh was a friend who had a weird experience with Klimt on an Italian train, where he terrified her in a tunnel. That much is in Beaumont but here Alma details Rosa stalking her Italian fiancé. He had come to Vienna but hadn’t let her know. She ran into him on Graben and followed him into the cathedral, where she fainted. When she came around, he told her he’d thought she was in Budapest. Alma then describes two occasions watching the pair at the opera. The second time she sees them sitting together in a porch during an intermission. ‘He: sulky and silent. She: like a sleepwalker, excited, with glazed eyes. She must be crazy… He has my sympathy now… He cannot save himself from her, from her love, from her jealousy.’ Er kann sich ja nicht retten vor ihr, vor ihrer Liebe, vor ihrer Eifersucht.
The girls buy some sausage and pretzel sticks on their way home in the evening and consume them on the quiet streets in an unladylike fashion. The sudden appearance of a couple of people makes Alma hurriedly conceal a piece of sausage in her leather bag. Die ist nun fettig. Eine kleine Berührung, und der Fleck ist da ewig (‘That’s greasy now. A little touch, and the stain is there forever’).
In the English version, there are three proposals of marriage. In the German, there are five. Beaumont omits the surreal pair. Alma gets up on New Year’s Day to be offered the hand of Onkel Fischel, a quite elderly, sickly and impoverished family friend. She cannot believe her ears and thinks he’ll end up in an asylum. Man müsste lachen, wenns nicht so traurig wäre (‘One would have to laugh, were it not so sad’). The following day, she writes about the experience again. Während er sprach, sah ich immer von den goldenen Zähnen auf die Glätzel, von der auf die knöchernen Hände, von da auf die befleckte Hose… while he spoke, her gaze constantly shifted from the gold teeth to the little bald head, to the bony hands, to the stained trousers.
Alma’s dinner conversations with two gobshites at the Hotel Victoria are worth retelling. Wärndorfer asks her is she sure she has nothing to regret. Out with it, says Alma. He elaborates on his stalker-like observations at an exhibition (the first man to approach her – no, not him – the second – no, not him either – the third – ah, he’s the one – he knew it aus jedem Muscel ihres Gesichts (‘from every muscle of her face’)). He adds that the beautiful Alma has for once been left picking for scraps, that the shoe is on the other foot. She is disgusted by his creepy introduction of ‘such a delicate subject’ and when he asks what other way was he to take it she tells him to make of it what he will.
On her other side, Hancke, whom she always sees as an ass, begins to sound plaintive. Then he tells her he has considerable capital in Vienna, from various sources, if she gets his drift. She asks him what is he on about. He starts coughing, which gives her a chance to change the subject. He then draws her a picture of his future apartment and says he’ll have a room too many. ‘Get yourself a butler’ is her advice. Then she turns back to Wärndorfer.
Regretting performing (dancing madly, talking nonsense) at a social gathering, Alma states that at least going out had brought the benefit of someone asking Carl for a painting. She then discusses the tricky financial situation of the family, at a time when Carl is not selling enough pictures. Den Zins für den 1. Februar haben wir noch nicht zusammen. Eine solche Lüge steckt in unsrer Existenz – wir leben weit über die Schnur. They hadn’t got the interest (repayment) together yet for the first of February. ‘Such a lie is planted in our existence – we live far over the line.’
Alma makes notes about two balls on the same night. The first, chez Baronin Odelga, consists of Jewish civil servants, while the second, at the Lanners, is a mix of Jews and the military. At the first she is given a noble introduction as “Fräulein Alma von Schindler”, which makes her write them off as dopes (Trottelvolk). At the second only the maids were drunk but otherwise it was classy.
Alma gets a letter from Baronin Odelga, noting that she hasn’t shown her face in the weeks since the ball. Her presence is demanded at another do, which Alma considers an impertinence, but, having made excuses not to dine there, she and Carl attend in order not to piss these people off too much. At the event, an old Jewish lady pesters Alma to sing but Alma says she does not sing. The old lady says that it’s a pity because she wanted her to take part in an operetta. Then she pesters her to dance a minuet with another young woman. Alma turns away from her. Carl stands up and says he must go. Alma is delighted and follows him to the door. Before they can leave the old lady catches up to ask her to come back for dinner on Tuesday but Alma remembers that she is going to Budapest. For three weeks, she hastily adds. In conclusion, she promises herself not to go back to this kind of hassle any time soon.
She has always detested Herr Krasny and done little to hide it but in response to his feverish marriage proposal she tells him to be quiet and when he starts trembling all over she recommends some cold water (kaltes Wasser – eine kleine Douche). The encounter is deemed unpleasant … ich sinke … this kind of thing gives her a sinking feeling.
That same evening Alma observes the Schadenfreude of the tenor Erik Schmedes in the audience, when another singer has throat trouble. Though Beaumont reluctantly includes the fight at the opera – when it seems Schmedes beat up a rival who made a smart remark about him skipping a high note – he gripes that Alma’s hearsay account doesn’t tally with the part of the score of the opera in question. The German edition states the fight would probably have erupted later in the wings but in general Beaumont leaves out too much of Schmedes. He is the most entertaining musical character. He seems to have had the soul of a clown.
Alma makes a comment that Zemlinsky being ill would at least give him the chance to give a rest to the ants in his pants.
Carl is awarded a gong and doesn’t know why. One of his well-wishing visitors is a State official for whom he had previously lobbied. The man had got the job, an achievement which Alma mentions also involved large-scale bribery on his part.
Alma refers to Zemlinsky as a miserable coward but kisses a card from him. Her mother later asks why she has ink on her mouth. Again, in the German at least, her sense of humour has not quite deserted her.
Is it English prudery that left out what Alma was doing with her finger in bed on this day? In the introduction, Beaumont primly says he was uneasy about including “the indiscreet account” of the divine Mahler’s fiasco when he first attempted to have sex with her. He still saw fit to omit Alma’s expression of feelings of shame immediately after the line (that he kept) where she wrote she longed for rape (24 July 1901).
In the end these differences in quality between the German original and the English translation made me think of another great diarist, Alan Clark. In the preface to his first volume (1983-91), Clark concluded by listing all the criticisms that he saw could be levelled against his chronicle. He kept his trump card for the last line. But they are real diaries.
I was caught by the Tube inspectors at Victoria one Sunday evening on the way back from Croydon. Not for the first time, I gave a false point of embarkation. “Vauxhall,” I offered, adding that there had been no one there to give me a ticket. The senior inspector, the main man in black, then asked if the stairs went up or down at Vauxhall. I tried to be smart.
“There are no stairs at Vauxhall.”
“Wrong,” said the chief.
There were three of them in black. He told me to empty my pockets. Then he took whatever was there. It amounted to about four quid in coins. There were no notes and they duly escorted me from the station.
With more time to think I walked from there to Piccadilly. There was a pub – St. James Tavern – that I knew well on Shaftesbury Avenue and it was still a weekend night so I thought I’d surely find a familiar face. The bar was a ring in the middle of a timber floor and I circled it. I checked the gents’ toilet too but there was no one around.
It was still nowhere near closing time as I stood outside the pub again. I was in the middle of the bright lights in a very big city. No panic. My pockets were empty. No one I knew worked in central London so, even if I passed the night, walking around or something, I’d still be stuck there, unless I tried jumping the Tube stiles. Only central stations had those stiles back then.
My pockets were empty. I checked them again. In my old navy blue overcoat, the right inside pocket was torn. It would have been empty at any rate but the lining was intact. Then I put my hand down inside it, remembering. I’d left something there from my last trip home. Something that was of no use to me in London, that wasn’t worth extracting from the lining of an old coat. It was an Irish pound note.
Hmm. I straightened the green sheet and looked at the picture. Just maybe she was less Queen Maeve than Lady Luck. Despite a sign in the window of a nearby bureau de change that indicated the minimum transaction (£2.50), I went up to the Arab behind the glass.
“Can you change this for me?”
He looked at the crumpled note and pointed to the sign in the window. I nodded.
“I know but the Tube inspectors took my money and all I want is sixty pence, just so I can get through the barriers.”
I held up a thumb in the direction of Piccadilly Circus. He said nothing but gave me 60 p for the green Irish púnt, which was worth, on average, almost 87 p in 1989. This meant I could get a minimum fare ticket and get down into the Tube. I met with no further trouble on my long way back to Dagenham. The Tube got quieter and emptier and there was no one at the other end. The note was withdrawn from circulation in June 1990.