Rian Malan and the Black Man’s Burden

Rian Malan and the Black Man’s Burden

2006 

3 June, Saturday 

In the afternoon, in Listowel, J. M. Coetzee brought the pain. It was hot enough in the hotel function room that overlooks the river and racecourse but his story about agri-tourism in an arid region of South Africa eroded the will to live. Then he read from his work in progress (ā€œDiary 2005ā€). It was hardly accidental, the applause that had filled a gap between sheets in the first reading, but, given the title of the second, was it any wonder that J. said, ā€œI think this guy is paranoid from writerā€™s block.ā€ Queuing up for the signing of J’s books afterwards, I thought Coetzee looked very seventeenth-century Dutch, which does have an association with total humourlessness. To try and humour him, I said that, being Irish, I was interested in countries like South Africa and Australia that also had a history of settlement. He looked at me blankly before giving the barest nod.

2007

14 September, FridayĀ Ā 

One of two Afrikaner doctors watching their team whitewash England (36-0) on TV in the Anchor was giving a running commentary and he came out with this gem in response to a close-up on Jason Robinsonā€™s bloody face.Ā 

Efrika is a taff cantry, boys. No place for cissies.

2023 

14 November, Tuesday 

The first arresting part of My Traitorā€™s Heart (1990) begins on p. 86 with Malan’s adventures (as a young reporter) at the Blue Hotel, the police HQ in Witwatersrand. A special padded lift went from the basement garage straight to the tenth floor and the Security Police. Up there he takes tea with Colonels Coetzee and Swanepoel, the former writing a thesis on Trotsky, the latter being a torturer of international renown.  

On p. 99 he is kneeling outside beside a broken black man newly arrived from the fifth floor ā€œin a spray of glassā€ when he spots a shiny black boot and looks up at the top cop himself, Brigadier Visser, who explains the background. 

Ja… this is the Bantu who was hitting people with an axe. He just dived out the window

Malan spilt his tea in his lap when faced with the ranting of Col. Swanepoel but he feels ashamed of the sense of dread he feels whenever in Soweto, or any township, like it was a racist feeling, when it seems merely instinctive cop-on. See p. 96. 

In my imagination, Soweto [was] a place where humble people barricaded their doors at darkness and trembled through the night while werewolves howled outside. It was not an entirely fanciful vision. Soweto was a charnel house. Its murder rate was four or five times higher than New Yorkā€™s… On Friday nights… wolf packs of gangsters lay in wait for incoming trains, and picked off breadwinners on their way home… There was a drastic shortage of houses and schools… There were no cinemas, no bars, no hotels, no modern shopping centres… and no electricity. The place was a giant labour barracks, grimly utilitarian, and intentionally so. 

18 November, Saturday 

A Malan passage on p. 186 reminds me of the Palestinians and their righteous rage, e.g

Somewhere out there, insanely brave black boys and men were ferrying guns from place to place, manufacturing petrol bombs, building barricades of tyres in the streets or setting fire to government buildings. They were no longer willing to settle for vokol, for ā€˜fuck-allā€™… 

[In The Spectator in 2010, Malan contrasted the apartheid regimeā€™s post-Cold-War handover of the reins, for better or worse, with the refusal of the Israelis to think ahead in a similar fashion: ā€œThey too were presented with a fleeting chance to make peace from a position of power, but… they dug in their heels, refusing to make the painful concessions necessary… Now theyā€™re… totally reliant on the protection of a declining America…ā€] 

19 November, Sunday 

The ā€œHammermanā€ murders in Natal lead Malan into a long discussion of witchcraft and I havenā€™t quite got to the end of that yet but I imagine heā€™d have said something by now if heā€™d thought to link it in any way at all to the absence of electricity where the blacks lived.  

He doesnā€™t reflect either on the mention of the Eighties explosion of witch-doctoring in Soweto on p. 274, even though, for reasons very much based in this world, he has described the place in horror-film terms on p. 96. How odd it is that he doesnā€™t connect the mumbo jumbo rise to the advent of the mayhem.

Anyway, as my father used to say about the rural superstitions and hallucinations over here, 

Those things went out when the electric light came

21 November, Tuesday 

Iā€™m two-thirds of the way through Malan. Anecdotally itā€™s sensational stuff but amidst all the mental wrangling, one unspoken question increasingly begs to be asked.  

Has the white man really any business in Africa, apart from gawking at animals?  

23 November, Thursday 

At times Malan fails to join the dots or even forgets whole passages and points made earlier. I closed the book at p. 392 last night, on a page that contains the following passage, with emphasis added here. 

It was there… the day it all started, back in September 1984, in the township of Sebokeng. The very first casualty of the great uprising was a black community councillor… hacked and burned to death by a black mob. After that, it grew and grew, until it equalled and ultimately eclipsed the white horror

At worst here, he had some brass neck in pulling those two apart for comparison. Given so much of which he has already eloquently explored, in terms of both (a) (same page) ā€œevery martyr cut down by apartheidā€™s riot policeā€ and (b) the living death inflicted in Gaza-like townships and scorched Bantustans for the sake of white Lebensraum, the ā€œwhite horrorā€ is the permanent context, the prime mover, the original sinfully bad idea. 

Trnava 24 Sept 2023

Trnava 24 Sept 2023

Slovakia

It was the ecclesiastical capital for the Hungarians back in the Turkish time (roughly 1541-1686) and now Trnava is like a beautiful old mouth that, here and there, has lost a tooth to a cheap replacement. The house of culture on the south side of the main square is the worst example but, across from that, thereā€™s also a post office block, of which I heard a Dutchman observe online that it had at least got a lick of paint (unlike, he said, in Bulgaria).Ā Furthermore, the St. Nicholas bell towers always remind me of candle snuffers but there’s a lot of scaffolding up that end at the time of writing.

Apart from the Baroque legacy, the Ostsiedlung is still visible in Trnava too. The same story as elsewhere in western Slovakia, the Germans were brought in by a Hungarian king in the wake of the Mongol invasion (1241).

Iā€™m glad I went. Itā€™s just more texturally impressive onsite than online, even underfoot, with the rectangular paving stones, known now to me as setts, and the neat, smooth cobbles. All the notable buildings seemed a bit bigger too.

On the Sunday, Trnava was quiet. On the way back to the station we stopped at a cafƩ near the bottom of HlavnƔ, the main street that leads up to the tower on the square. Neither was impressed by the four euro per modest, if tasty, slice of cake. No Slovak is going to pay that for a couple of mouthfuls of cake but at any rate the cheaper beer and coffee were just as tasty and, overall, this country is inexpensive.

On the train back to Bratislava, the only people making noise in the carriage (with their inane conversation about past jobs abroad) were four young Englishmen dressed like well-fed Americans, in shorts and baseball caps. 

Leeds United : Twilight of the gods

Leeds United : Twilight of the gods

David Peace had a good idea, to take on the old Leeds, indeed so good that the phrase “the Damned United” has entered the language, but in imagining wild stuff about real people he was too cheap to do the phenomenon justice. As a Hollywood lawyer called Fred Leopold used to say, “If you have real people as characters they can have lattes and muffins but they can’t say, ‘Let’s go for a f**k in the bushes’.”

John Giles, for one, was duly compensated, financially and textually, for Peaceā€™s excesses, and Iā€™ve heard him say on Irish radio (I closely paraphrase here) that the book might impress the arty-farty crowd but it portrayed Brian Clough as a maniac and to football pros it was rubbish. (Elsewhere Giles has given samples of the creative nonsense, like holding up to ridicule the notion of Clough destroying Don Revieā€™s managerial desk.)  

Giles was probably right on that audiences score. At the same time, Iā€™ve never bought his self-serving spin on the old days, like blaming the goalkeeper Sprake (discarded years before the Leeds fire blew out) for so many near-misses. Both times they were English champions, itā€™s striking that there wasnā€™t a narrow margin involved, and Leeds even lost the 1971 play-off for permanent possession of the Fairs Cup, after having won it twice.  

Neither did I ever buy Giles maintaining that the carry-on markedly associated with Leeds was a case of kill or be killed. Eamon Dunphyā€™s contemporaneous description of Leeds in the Seventies actually doesnā€™t contain any kicking or elbowing but is full of what is nowadays euphemistically known as playing on the edge. 

Whatā€™s rather poignant and almost Shakespearean, in contrast, is Gilesā€™ account of visiting a dying Don Revie, who confessed,  

I should have let you lads play a bit more.  

In other words, it seemed like Revie knew the negative soul of his rule had been in the end a distraction, maybe even a tragic flaw, that usually kept Leeds from getting the benefit of the doubt in a tight finish (itā€™s what people like to call luck, when itā€™s not called cheating) and thereby from winning twice as many trophies as they did win.  

Last night, the Dickie Guy heroics for the then very lowly Wimbledon at Elland Road in January 1975 formed a memory revisited online (and now in colour) from when I was ten and soccer was something in black and white. On this occasion, two moments from the second minute of injury time stood out, particularly. The first was Frankie Gray having a wild kick at some poor non-league player as the ball ran out of play. Gray may just have been warming up for his fateful Paris challenge on the future tax dodger and jailbird Uli Hoeness, later that year, in the European Cup final. (Hoeness had to retire a few years later at just twenty-seven.) That incident has been overshadowed in the history of the game, and of that sordid (from all angles) match, by Terry Yorathā€™s earlier godawful foul on Bjƶrn Andersson, which was clearly captured on camera.  

One can fairly say that, apart from his failure to punish Leeds with a flurry of cards, Paris witnessed a masterly refereeing performance by Franz Beckenbauer. As for the lone Frenchman on the field, the man in black, if der Kaiser had told Monsieur Kitabdjian to eat a lump of dog shit that night, he would have said, Bien sƻr! At any rate, the person I feel sorry for is the German TV employee who lost an eye thanks to a missile thrown from the Leeds crowd.

European football competition is often a cesspit and it has sometimes seemed to flourish on a German-Italian axis, as in the lifetime ban given too late to the Greek referee who saw off Leeds on behalf of AC Milan in the 1973 Cup Winnersā€™ Cup final, and in the comically sinister touchline anecdote involving Helmut Haller, Cloughā€™s sidekick Peter Taylor and a German ref, when Derby County were in Turin the same year. That story appears in Jonathan Wilsonā€™s biography of Clough. 

Anyway, against Wimbledon, and despite the younger Grayā€™s kicking practice when the ball was gone, Leeds got the injury-time throw-in, from which Duncan McKenzie got on the end of a header from Yorath. McKenzie would be left on the bench in Paris (“The manager’s indecision is final”) but he scored thirty times in his two years at Leeds (1974-76) and, in this moment, he brilliantly set up the ageing Johnny Giles, whose legs couldnā€™t do anything with the late, late chance.  

Long afterwards I heard Giles on Irish radio dismissing McKenzie as ā€œnot a real playerā€ but the latter had already got in a humorous dig at the reinvented grandfatherly pundit. It came in an interview with Danny Kelly on Channel 4ā€™s short-lived Nineties show, Under the Moon

Broken bones, theyā€™d laugh at things like that(interruption by Kelly) … Gilesy of course…

McKenzie’s ghosted autobiography (The Last Fancy Dan (2009)) furthermore suggested that Peace had got the mood and atmosphere at the club right, in Clough’s brief spell in nominal charge (1974), whatever about the details. Unfortunately just at the point (p. 79) where he is giving his verdict, a spot of word salad breaks the train of thought (“The film has in a number of errors in to turn it back into a novel…”).

Be that as it may, to me this clip with McKenzie, Giles and F. Gray has all the elements of the twilight of the gods. 

Death of Thatcher

Death of Thatcher

Photo (c) AP /Lefteris Pitarakis

2013

8 April, Monday

Thatcher is dead. At five the editor of the Telegraph tweeted that they had closed all comment lines due to the level of abuse. 

11 April, Thursday 

The phrase that Trevelyan used about the Famine being the work of ā€œan all-wise and all-merciful Providenceā€ smacks so much of Thatcher and the Protestant thing that good works donā€™t matter, only faith, or, in her case, fanatical conviction. I canā€™t help also thinking, though, that the Minersā€™ Strike could not be similarly policed today, with all the camera phones. Nonetheless, on the principle that most of the work of revolutions is done by those about to be overthrown, there could have been no Thatcher without three-day weeks, power cuts, constant strikes and, as one of the Royston Vasey boys once described the shops back then, broken biscuits and boxes weeping with damp. 

12 April, Friday 

Last night I read over the mini-thesis I wrote on the Minersā€™ Strike in 1985. The subject is well-documented and I had an eye for a quote but, apart from the acknowledgement that Thatcher and Ridley were determined to get the miners, after 1972 and 1974, there is no display of awareness of how the Seventies had paved the way.Ā Ā 

13 April, Saturday 

Tebbitā€™s Thatcher eulogy in the Lords was ample corroboration of the fact that the Brighton bomb was like the assassination of Heydrich. It took him out, as he himself admitted a few days ago, in not so few words. Even his Wiki entry quotes Thatcher as saying he couldnā€™t concentrate on anything after that because he was distracted by his constant concern for his wifeā€™s welfare. 

14 April, Sunday 

Ding Dong! The Witch is Dead is in at number two in Britain (52,605 sales). Even the Bishop of Grantham has said this big funeral is only asking for trouble.

Wallraff

Wallraff

GĆ¼nter Wallraff (1942- ) is a German undercover journalist most famous for exposing the harsh reality of work in heavy industry, the treatment of Turkish Gastarbeiter, and the malevolent carry-on of German tabloids. He was tortured and imprisoned by the Greek military dictatorship in 1974 but, when he tried to go to Chechnya in 2003, the Russians just wouldn’t let him in. His style of work has led to the coining of a verb in Swedish (“wallraffaā€). Having read one of his books in 2012, I’ve just come across it again on a shelf.

2012

25 February

Iā€™m still plodding on, on and off, with Wallraff. The language of the industrial shop floor isnā€™t the easiest. He meets a strange guy* on the roof of another plant ā€“ an ex-miner and Stalingrad survivor. The man says those were the days [in Russia], always on the move, and rhetorically asks what chance did he get to go abroad after that. When asked by the amazed W. if the other stuff (death, cold, filth) wasnā€™t terrible, he maintains it wasnā€™t as bad as the pit

* This man’s damaged lungs would have normally have failed him in a health examination, only the doctor, a former Wehrmacht lieutenant, was also a survivor. He falsified the disability test result, passing the chap as fit, and then they spent a long time talking about their Stalingrad adventures.

2012

18 April

In bed I finally finished the Wallraff book. Reading a couple of pages late at night most nights took me months but I wouldnā€™t be at my freshest then and often had to look up the same word several times. The material was of uneven interest but I did unearth some gems.*

*Some of these date from his national service in the Bundeswehr, when he refused to carry any weapon but still had to run around taking part in all the other army nonsense. 

p. 123

Workers who got caught stealing from the company store at the steel firm August-Thiele-Werke went unpunished if they promised to shop at that store only, in the future. The company also had divided its four shop-floor toilets (for three hundred staff) into three grades. Eight foremen shared the first, fifteen assistant foremen the second, and the other 277 men shared three and four, in long queues. The toilets were beside each other and the first two were lockable from the outside, for which the foremen and their assistants had special keys.

pp. 26-28

The ‘Gas Chamber’ is a military training site that from the outside looks like a chapel but inside is full of teargas. The men must move in a circle, marching, running, jumping. God help anyone with a leaky gas mask but anyway, all taste the gas when ordered to change the mask filters. When marching back to the barracks, the men must put their masks on again. They are ordered to sing. Their voices sound like death rattles. They pass some civilians out walking and nod politely with their heads looking like insects. The civilians gape at them. When finally allowed to take the masks off again, their mouths and noses are full of coal dust from the filters.

p. 17

During password practice, someone whispers to Wallraff a message about seven enemy tanks 3 km away blah blah but Wallraff tells the next man about an atom bomb exploding 100 m to the east, so everyone must put his head in the sand and cover it with a newspaper. The last man writes down the message and hurries to give it to the sergeant, who hands it to the captain in charge, who goes pale and says no more.

pp. 98 – 102

der Feuerfesteste (‘The Most Fireproof’)

Dantean, one may easily call it, a descent by ladder into a furnace cooler in order to free a blocked chute. A satanic engineer jokingly refers to his squad as our Sonderkommando as he browbeats a couple of men, including Wallraff, into ‘volunteering’ to enter Hell for ‘at least’ ten minutes. It would cost the company too much to shut down for a few hours, and refusing a task assigned by a superior means the sack for any man not on the job more than three months. The first man cannot stick it and forces his way up and out again. Inside, Wallraff cannot whack the blocking material as hard as he wants, due to the ominous wobble of the ladder. The engineer’s torch is a small point of light above, in the thick dust. Despite the protective gear, the hairs in his nose smoulder. His glowing crowbar burns a finger through his asbestos gloves. The damp cloths he wrapped around the gloves have burnt off completely. He cannot breathe deeply because it makes him feel like he is on fire inside. Then, as if his brain is cooking, he goes into a kind of trance to finish the job.

Chats About Old Zagreb

Chats About Old Zagreb

In 1971, the great Croatian actor Relja BaÅ”ić (1930-2017) fronted a black and white documentary in which he talked to some remarkable elderly characters about what Zagreb was like before 1914, when German (i.e. Austrian) and Hungarian influences were more pronounced in the vocabulary and habits of the capital. For example, it was the Hungarians who seem to have introduced tennis and ice skating to the Croats.

At any rate, I’m not well-versed in the language but I do have an interest in it and the more I watched, the more I understood. One of the Croats in the YouTube comments remarks on how beautifully they spoke. That must aid the watcher. No names are given for the characters so I’ll tag them otherwise. The timestamps are included if anyone wants to hear their actual voices.

The first conversation takes place with the Deaf Man, mostly about the changes he has witnessed on the central square, Trg bana Jelačića. This square is also known as Plac, which is the Croatian spelling of the German word Platz. When asked if the great increase in noise since the tiÅ”ina (‘calm’) of the old days bothers him, the Deaf Man says at 0:45

‘It bothers me so much that I don’t hear it.’

The Demo Man

Demo Man is tagged thus because he talks about pre-war demonstrations, such as the one on the occasion of the visit of Franz Josef in 1895, when some students burned the Hungarian flag on Plac in protest against an unpopular Hungarian governor. At first, though, he gets asked about what had been on the site of the post office on Petrinjska ulica, near the central park called Zrinjevac (4:29 to 4:34).

‘There it was a common dump and a public toilet.’

More dramatic is his memory (6:26) of the panic in the streets caused by the double Zagreb earthquake (potres) of 17 December 1905 and 2 January 1906, while youngsters like himself were wondering would any building collapse like they had been told about in school (re the big one in 1880).

The Lady Gymnast

She is asked about the Hrvatski Sokoli (‘Croatian Falcons’), a nineteenth-century nationalist movement encouraging physical fitness through gymnastics, a bit like the Gaelic Athletic Association (founded 1884), though without the native ball games that still keep the GAA so successful among the Irish. But that’s another small, circumspect country on the edge of Europe, with a similar sense of humour, built on sarcasm and bathos.

(11.23 – 11.39)
‘Madam, what did you with the Falcons?’
‘Well, running and jumping. I was a leaderā€¦ one of them jumped down, I had to catch her, but she knocked me into a heap. Angela Dajčova.’

The Man of Fashion (see 14.22 to 15.03) is interviewed beside the bandstand in Zrinjevac.

‘The korzo [promenade] was just on the northern side of Ilica [the main shopping street]. It was enough [for them] to walk up and down, up and down… then another time there was a korzo here [he indicates streets around the park]ā€¦ ah, what I mean, it was then [he smiles ironically] that it was no longer provincial, it was big-cityā€¦ an official town. An official town.’

The lady with the old dear whom they call Omica (see below), which is presumably a diminutive of the German Oma, or granny, corroborates the route of the Ilica korzo and at 15.35 explains what it was all about.

‘A little looking at the boys, they looked back a little, but we weren’t allowed to get together.’

The same lady at 37.01 states that music was the main element of the social life of Zagreb at the time, in public spaces and in private homes.

The Man of Fashion reappears at 16.19.

‘How was the fashion? How were the women?’
‘I don’t know if it’s for fashion but I was looking at their legs.’
‘You looked at their legs? Do you like legs?’
‘A little bit, a little bit. Sometimes very little. A centimetreā€¦’

Then he indicates what little might have been visible over their shoes. As they move on to discussing the headgear once popular among women, he sings a verse of an old song that jokes about their huge hats.

The Theatre Lady has a minor Parkinson’s shake.

From 17.56 she explains that Zagreb fashions were two years behind Vienna and Budapest. She recalls being in Vienna with her mother for a stage adaptation of Anna Karenina and thinking she was the epitome of style for it. They got tickets for the first row in the circle, everything was wonderful, until she got told she would bring shame on her companions at the theatre. With a horrified laugh of remembrance she seems to use a canine simile that’s roughly akin to the English phrase, a dog’s dinner.

“A ja sam mislila, ja sam tak elegantna.”
(‘And I thought, I’m so elegant.’)

The Two Sisters

The one sitting next to Relja responds a little flirtatiously to his charm. It seems she has been noticed by military officers in her youth but she admits to having been a very good dancer, especially at waltzes (23.30). On the topic of clothing materials (e.g. silk), and cleaning and caring for them (25.22), she quips

‘We were not enlightened like people are now.’

At 38.02 her sister behind the table refers to her father ordering confections from Vienna at Christmas. This recalls Orson Welles on the topic of Viennese cakes (from 3:30 in the following link). Welles, as it happens, filmed some of The Trial (1962) in Zagreb.

It’s at 38.45 that the first sister starts talking about public transport. After describing what the trams used to be like, when the conductors counted everything but enjoyed casual delays that were obediently accepted by the passengers, and the trams still made money, she contrasts that state of affairs with the unprofitable trams under public ownership and the fact that the Uspinjača [the funicular to Gorni Grad, the Upper Town] wouldn’t take them (at the time of speaking). I had to look up that last bit. The funicular was closed 1969-74 for repairs.

The Soccer Man

Interviewed outside the National Theatre, the Soccer Man appears several times throughout and talks knowledgeably about numerous subjects, including the first cars and planes seen in Zagreb, and the construction of said theatre, but from 32:38 his sporting memories stand out most, as rather poignant.

‘I was a witness to the first street football games. [Then he names where they took place.] I saw absolutely brilliant exhibitions given there. I’d be out until it was almost dark but we were wild. Later, reports came from England that there were rules and, well, I didn’t go there anymore.’

The aforementioned Omica is the one with the really well-off background. Inclined to pepper her speech with German words and phrases, she seems to have lived in a Schloss. When asked to describe her carriage horses for the theatre (21:28) she simply goes, “lijepi, žuti, mladi” (‘beautiful, yellow, young’). At (35.35) she explains her husband that was very old so she couldn’t go to dances, as he’d have been worn out by them.

Hers is the last word, an ambiguous return to German to explain why she would never go to Gorni Grad again.

Wenn man alt ist, hat niemand mehr Interesse.”
(‘When one is old, no one has any more interest.’)

NoĆ«l Coward’s Diaries

NoĆ«l Coward’s Diaries

2022

27 September, Tuesday 

Wet day. Still in the Forties in NoĆ«l Cowardā€™s bizarre diaries. A lot of the lunches and dinners should have been cut. England may have been dreary then but that didnā€™t apply to his plate. Luxury abounds, and arse-licking the royals, and playing the piano for such bigwigs when the dinner conversation dies. 

The mention of the 1946 death of David Nivenā€™s wife, who fell into a Hollywood basement in a game of hide-and-seek, recalled Hurd Hatfield telling me these people were not sophisticated (Hurd hung around with “the musicals crowd” instead, at the time). His point is backed by a passage from the autobiography of Oleg Cassini (Jackie Kennedyā€™s frock fancier), who was at the fatal dinner party. 

The problem was that everyone was in the same line of work, a very insular business. They worked very hard, all the successful ones, and there wasnā€™t time to know much beyond industry gossip. And so, when conversation waned, we often engaged in party games, especially at smaller dinners: charades, hide-and-seek, anything to pass the time

29 September, Thursday 

The story of the connection between Noƫl Coward and Peter Collinson is touching. A lost boy of twelve finds a father figure who sticks by him and with whom he reunites twenty years later to make a classic film, The Italian Job

14 October, Friday 

NoĆ«l Coward – usually sensible, often wise but only rarely deep (e.g. on Churchill and Beaverbrook as old men). He was on this earth to enjoy himself. Of his posse, itā€™s clear Marlene Dietrich was best appreciated in small doses. 

16 October, Sunday 

Very wintry. I was thinking of W. S. Maugham in the South Seas and the contrast with Coward. What sticks in my mind about A Writer’s Notebook is the appearance of so many marooned white men drinking themselves to death and/or retirement, whereas NoĆ«l was only out there to enjoy himself. A few pages later it becomes clear how Coward in the early Sixties grew to despise Maugham and his legal antics v. his only child, despite the old man having already appeared occasionally as a benign old codger. It inspires N. C. to reread Cakes and Ale (ā€œMuch malice and no heartā€). 

23 October, Sunday 

In my first remarks on Cowardā€™s diaries, I used the word ā€œbizarreā€ and that has returned with a bang in two places after six hundred pages. In 1965, he was in for a minor spot of plastic surgery but his surgeon collapsed and died after it. Twenty pages later he discovers he died himself, on the table, for forty-five seconds, a most unpleasant period in what was left of the surgeonā€™s time on earth. NoĆ«l even imagines the embarrassing headlines that must have gone through the poor manā€™s mind as those seconds ticked by. 

24 October, Monday 

N. C. found success early, in his mid-twenties, and on New Year’s Day in 1961 he concedes he’s had “a wonderful lifeā€ but itā€™s strange that there is just a single mention (the same number devoted to his father) to any struggle or hardship involved up to the point of making it. (Having been a child actor, he had known enough of “bedbugs and cheap digs and squalor”.) As a man always keen to avoid literary and actual squalor, he must have wanted not to reflect on that too much, not to mind write about it. Ā 

13 November, Sunday 

I forgot to note his 1964 note about Nureyevā€™s table manners. He actually bit me during dinner, but it was only on the finger and didnā€™t draw blood

P.S.

What is also worth keeping here is a passage from a letter he wrote in late 1959, which acts as a preface for that year.

As one gets older one doesn’t feel quite so strongly any more, one discovers that everything is always going to be exactly the same with different hats on… Looking back… my personality only really changed once, and that was when I was twenty-four and I became a star and a privileged person.